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Category Archives: Music @ja

Holding Together: Broken Haze’s “Air Castles”

Late on J-Pop superstar Ayumi Hamasaki’s new album, a weird little remix of her song “Melody” pops up. It’s the sort of rework one doesn’t typically find on CDs, a fidgety track unafraid to distort Hamasaki’s voice and let its beat burst out in all sorts of directions. It could be safely called “post-dubstep,” and this bright little remix comes courtesy of Tokyo producer Broken Haze. He has his own EP out now too, called Lightning Flash, and if you like what he does with an Ayumi Hamasaki song, chances are you’ll enjoy his original productions as well. The best track from that new release is closer “Air Castles,” which uses a more non-descript vocal sample and a some particularly bright keyboard to create a catchy dance number. The whole EP is worth a listen, but get a preview of what to expect below.

New Taquwami: “All My Life”

In his relatively brief career, Tokyo’s Taquwami has explored a lot of sonic ground. He’s made maximal sounds, fragile songs, sample-heavy dance numbers and heady tunes that sound like holding a particularly trippy seashell up to your ear. And that’s not even counting the directions he’s splintered off with his Occult You project. His latest piece of production, “All My Life,” features plenty of his trademarks – vocal samples turned syrupy, a general electronic wooziness – but sees Taquwami trying a few new things out. He has been incorporating touches of R&B into his music for a while now – this year’s Blurrywonder EP imagined what the genre would sound like if thrown into a synth-powered tornado – but “All My Life” comes closest to sounding like proper R&B, the minimal beat that dominates the first half of the song even bringing to mind a hazier take on Usher’s “Climax.” Even those vocal samples – still warped to near alien mumbles – now sound like whispers in the dark, giving this a sense of intimacy. It all blooms later in the song and approaches more familiar territory, but “All My Life” features some nice new wrinkles too. Listen below.

New mus.hiba: “Slow Snow”

What got us excited about mus.hiba back when he uploaded “Magical Fizzy Drink” was the fact the young Tokyo producer used Vocaloid technology, the singing-synthesizer software often bundled with cute anime characters, to create music that was experimental. His use of Sekka Yufu (one character) is really important for showing the potential Vocaloid holds as an instrument, but it’s important to remember that dude makes really fantastic music that just happens to incorporate digitally created voices. His newest song, “Slow Snow,” once again casts Yufu into the featured spot, but it’s a beautiful, intriguing track because of mus.hiba’s attention to detail. In the same way “Magical Fizzy Drink” had a bunch of sounds buzzing around to create something dark but warm, “Slow Snow” hides a lot of strange touches underneath the glistens and twinkles up front. The main synth, for example, sometimes gets its pitch bent for a second before snapping back into place, an effect that ripples the song a bit and disrupts the sonic splendor. Then is his use of Yufu’s voice – she sings in slow digital muffles, and elsewhere mus.hiba warps her voice into a deeper, more masculine sound – one creeping around the main synths – that is especially critical in making this darker than it seems. Listen below.

Continuing with the snow theme, mus.hiba will release another new song on a compilation album called Singing In The Snow, which gathers artists who all use the voice of Sekka Yufu in their music to make winter/Christmas themed music. Here a snippet of his song “hidamari” over here, though you can just wait until a full version drops and read about it here.

INNIT Posts New Mix Featuring Matthewdavid, And Vice Versa, Avec Avec, Magical Mistakes And A Whole Bunch More

The folks behind INNIT, Osaka’s best forward-thinking electronic music event, tend to release a mix of songs in advance of their next party, featuring producers who will be playing the gig. The latest mix finds INNIT switching things up a little, though – besides featuring songs from two American artists who will be playing the December 16 edition (Matthewdavid and Anenon), the INNIT regulars have collaborated with other artists. This approach results in an interesting listen – some songs might as well have come from one artist, while in some cases buddying up hurts the track, as is the case with Seiho and LUVRAW & BTB’s “Lady Are You Ready.” Seiho has proven he can make great music just by warping vocal samples…why does he need two vocoder-swathed rappers along to distract from what he’s good at? The majority of the mix, though, has better results. A typically claustrophobic Eadonmm production gets a beam of light down the middle courtesy of Astraltable, while Magical Mistakes partnership with doopiio produces a typically pretty, borderline psychedelic song we’ve come to expect from the producer. Avec Avec brings his big bright synths to an unorthodox Madegg beat, while the mix’s final song – between And Vice Versa and Naco – steals the show, with its hodgepodge of sounds you want to reach out and touch (the bubble pop is a nice touch). Listen below.

Live Must: Ningen OK

Tokyo’s Ningen OK are a group that demand to be seen live. I lucked my way into seeing them this past weekend, knowing nothing about them, but leaving thinking this duo put on one of the better live sets I’ve seen recently. They play surrounded by what appear to be homemade white pyramids. Guitarist Takurou Yamashita stands in front of a board littered with effects pedals, while Ken-ichi Sakaguchi looms over a drum kit which he soon hammers away at. They play very precise, wordless rock that always seems an inch away from tumbling into chaos, but always manages to hold together. Between songs, Sakaguchi leans towards a Vocoder and creates trippy segues featuring his robo-tized voice. Then they launch off again. It’s captivating stuff.

Their music manages to still sound good away from a live house – “Taion No Yukue” highlights Ningen OK’s precision-centric nature while also introducing elements of chaos (listen to that radio feedback). Listen to that below. It comes off their recently released first album of the same name, which is also probably full of good moments. Still, Ningen OK seem like a live band first, one that you should certainly make time for. Bookmark this page.