我々の”favorite songs of 2012 lists”のような年末特集を組むのは非常に難しいです。限られた数を選ばなければいけないので、結果選べないアーティストもいるからです。去年でいうと”My Aquamarine/Spinning Wheel”をリリースしたElen Never Sleeps。このシングルは素晴らしい曲を2つも収録した、ENSがアーティストとして急成長した作品です。そして2013年を迎え”Silver”をリリースしたENSは、今年もさらに彼らしさを発揮させています。新曲”Shine On Me”は去年の”My Aquamarine”を彷彿とさせるものの、ビートがENSの今までの曲の中で一番ダンサブル。コーラスの部分では、風変わりなボーカルやストリングスを始め、さまざまな音色が飛び交っているものの、互いを殺しません。こういった細かいこだわりが光ります。
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured two great songs and marked a jump forward artistically for Elen. It’s looking like ENS won’t be facing a similar dilemma in 2013, as he’s just released two tracks in advance of his new Silver EP, and both find the solo artist making further artistic strides. “Shine On Me” initially resembles last year’s “My Aquamarine,” but features a livelier beat that is the closest ENS has ever come to being dancey. The real development, though, is greater attention paid to sonic details – the most catching element of “Shine” is the almost-meowed noises that make up the chorus, but equally as strong are the strings that rise up throughout the song.
The title track from the EP, meanwhile, is more reflective, but features ENS adopting a slightly deeper voice for most of the song. It’s the less daring of the two tracks, but refines the Elen Never Sleeps sound further. Listen below.
Tokyo’s Licaxxx covers a lot of ground on the inconveniently titled “□ ▷▷.” She speeds up and slows down the beat over the course of this just-under-four-minutes-long song, occasionally weaving in little vocal details like a shout of “hey!” or a split-second moan. It’s a track that manages to evoke elements of British dubstep along…
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This is not the first time Turntable Films have been infatuated with the Rainbow State. On their 10 Days Plus One album from 2011, the then-quartet wrote a song called “Hawaii” that was a lazy appreciation of beach-bum rock. It was slow, full of whistling and could have been a Jack Johnson jam in another…