All Natural: Ojaco’s Forest EQ

Forest EQ is the second album the artist Ojaco has released this year, following a few month’s after a squiggly, intriguing collection released via Niphlex Recordings. There was an oddball charm to that (lost in my personal shuffle) set, Ojaco jumping from near 8-bit boogies to shuffling dance numbers, making for an unpredictable bit of bedroom electronic music. Forest EQ, though, marks a big jump in quality for the producer, less scatterbrained without sacrificing a feeling of experimentation that keeps the album on its toes. A vague natural theme runs through this album, and little natural touches add character to these songs — opener “A Forest Comes” allows samples of birds chirping to appear among the digital notes, adding a sense of reality to the proceedings. Not every song allows these real world glances to come through — see the hoppy “Curt Eyes Of Owl” for an example of pure computerized madness — but even when no samples enter the frame, Ojaco keeps things relatively smooth, aiming for well-constructed electronic compositions with enough twists to stand out. Get it here, or listen below.

Similar Posts

  • Amunoa And In The Blue Shirt Team Up For Split Release

    I’m always ready for something really heavy when Trekkie Trax come along with a new release, but this split between Amunoa and In The Blue Shirt isn’t quite as bone rattling as expected. And, given my current state (exhausted), it is very welcome. Amunoa’s half, “Lil’ Lady Luck,” is slightly more surprising, since I’m used…

  • Hyper Reality: Lolica Tonica’s “Make Me Feel”

    Lolica Tonica contributed one of the highlights on the latest Fogpak compilation, and they aren’t slowing down. Lolica Tonica have a new EP prepped for Trekkie Trax in September, and that netlabel has gone ahead and shared the title track to it, “Make Me Feel.” This sort of giddy, vocals-sliced-like-onions sound has become pretty common…

  • Japanese Christmas Round-Up 2012: Miila, Her Ghost Friend,

    Miila “Santa Baby” この曲はクリスマス・クラシックの独自バージョン。今回the Geeksは参加しておらずMiilaのソロとしてのリリースなのですが、グランジーでスローなギターにシンプルかつどこか不気味なドラムが印象的な”Santa Baby”のカバーになっています。Miilaは淡々と歌うものの、その擦れた質感やたびたび登場するノイズも相まって、今まで聴いたどのカバーよりも邪悪な印象です。ビデオは以下から。 Her Ghost Friend Merry Christmas Her Ghost Friendはホリデー・シーズンの為に特別な3曲を用意してくれました。そのうちの2曲はオリジナルで、今までのグループのリリースの中でも1番と言っていいほど優れた作品です(Her Ghost Friendの”Looking For Wonder”は今年のベストの1つだと言っているわけなのですが)。”白い、白い、好き、好き、”はノイジーに始まるのですが、ボーカル、ストリングスとシンセが美しく絡み付いていきます。ハープのようなアルペジオ・フレーズがとても華やかですね。”哀愁のクリスマス – Merry Christmas Dear Girl”はオルゴールのようなサウンドがいくつもレイヤーされていて、とてもユニークかつロマンチック。セットは”Miracle Powerful Beat”のリミックスで幕を閉じます。試聴は以下から。 Yucca “Waiting For Snow” もっとスローなテンポが好みで、クリスマスらしく鈴の音が聴きたい方は、Yuccaの”Waiting For Snow”のビデオをオススメします。ビデオは以下から。

  • New Gimgigam: The Trip

    You ever enjoying yourself, say on an excursion out of the house or on a small vacation, only to have the sudden reminder “oh hey, civilization is ultimately doomed” cross your mind? The most striking individual moment on Gimgigam’s The Trip manages just this feeling, and the warmer-clime funk-pop proceeding makes the realization all the…

  • Look Forward: Taichi Mukai’s “Speechless”

    Singer/songwriter Taichi Mukai teams up with producer starRo for “Speechless,” a nice electro-pop song that fits in snugly with the “Cry & Fight” song Seiho worked on earlier this year in presenting a different flavor to traditional pop creations. It’s a song full of starts and stops…speechless, indeed…and which jumps between prickly future-bass sounds to…