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Category Archives: J-Pop

Fancy Idols: Especia And Lyrical School

We’ve reached the point where idol music – usually an area reserved for AKB48 and Momoiro Clover z – has become really sonically smart. Not always at the top (though sometimes for sure!) but the lower rungs of idol-dom have resulted in some really interesting music. One reason – a lot of young producers are given a shot on major labels producing fledgling idol groups, presumably in an effort to carve out a unique sound for them. Some very talented producers – Fragment, Okadada, more – have been recruited for new idol groups. This week saw two new-ish groups release songs featuring sonic work from really talented producers, and they are some very intriguing J-Pop projects.

First up, Osaka’s Especia. It isn’t totally clear what their schtick is, though a few buzzwords get thrown around – “disco,” “’80s” and (most eye grabbing) “vaperwave” (referring to an Internet-centric genre indebted to ’80s Japanese culture). It’s very trendy labeling, and sorta accurate…the first two fit, while the last one probably could only be applied to the song “XO,” which features a sax just begging to be vapored. The real highlights, though, are the songs bookending their debut EP Midnight Confusion, which are just boogie-worthy bits of city-pop inspired music. The title track is the highlight, a hi-fi dance number that sounds like a more crystal Tokyo Girls’ Style. It is a fantastic pop song with a retrovibe (written by singer SAWA and produced by the talented Schtein&Longer). They even pulled in some great remixers – Tokyo’s Greeen Linez contributes a rework on the album. Listen to the original songs below.

Fellow Osaka unit Lyrical School have been around longer – they used to be known as tengal6, and have been hit or miss, though consistently boasting great producers. They have a new album on the way called Date Course, and the first track from it is a big leap in quality from them. It was produced by Tofubeats, who has been working with them for a while, but here really ups his idol-pop game. Lyrical School are supposed to be a hip-hop-leaning unit, but a lot of their older music has sounded too crowded and cutesy to allow them to stand out. Well, Tofubeats has now crafted an understated beat that is slinky but gives the group plenty of room for the group to do their thing. Listen below.

Days Of Homemade J-Pop: Hisamokuden-Kow’s A Desktop Museum

Rare are the times when you stumble across a SoundCloud or Bandcamp page unironically tagging itself as J-Pop. Even rarer…finding an earnest stab at the outright poppy through these sites that isn’t terrible. There are certainly exceptions – everything on Maltine that goes by that, mostly – but try spending some time with that tag. Tochigi-based artist Hisamokuden-Kow falls into the category of making the good stuff. His debut EP A Desktop Museum is a bubbly, bright collection of songs unafraid to be as colorful as possible. Opener “Holland” sets the pace, and pretty much presents the case for or against liking Hisamokuden-Kow from the start. His actual music is chirpy electronics and drum machines tumbling over one another, sounding cheap but still energetic. The vocals, meanwhile, are a bit rougher, but he isn’t afraid to push himself…and he does cover his voice up with Auto-tune later in the track, which ends up sounding even better (shades of Yoshino Yoshikawa there).

It isn’t flawless – the third song, despite its buzzy background noise, veers too closely to J-Pop ballad territory. But then you listen to the stutter-stepping “Bass Basic,” and just how electric it is. EP highlight “Our Song” stands out because it is the one song here where Hisamokuden-Kow just completely lets technology run over his words, everything synthesizing perfectly into a hi-fi bit of pop. It is unabashed pop, and I dig it. Get it here, or listen below.

New Perfume: “1mm”

I’m melting over here. Let’s put biases out front shall we…Perfume are my favorite musical entity ever, and I’ll always find some light even in their worst moments (I see you “Mirai No Museum,” what’s up “Toki No Hari”) because I’m fully entranced by what Yasutaka Nakata does. OK, we clear on that? “1mm” is, on a few initial listens, great. Since last summer’s trifecta of “Spending All My Time”/”Point”/”Hurly Burly,” Perfume’s singles have been a bit more hit or miss, at their best being catchy albeit a bit safe for them (“Magic Of Love” springs to mind). This, though, features an immediately satisfying chorus (punctuated by some airy “ah-ah-ahhhhhhs”) and one of Nakata’s less darty creations sonically in quite some time. It slowly builds up, practically rumbling. I probably should listen to a bunch of dance records to see where Nakata is pulling from…but dang, this is great. Listen below (or click the picture!)

New Capsule: “Rainbow”

Yasutaka Nakata has been super busy over the last year and a half producing music for Perfume and Kyary Pamyu Pamyu. He hasn’t had much time to devote to his project Capsule, who haven’t released any new material since 2012’s so-so Stereo Worxxx. At long last, Nakata has put together a new song for his original outfit in advance of the Asobitunes compilation out now in Japan. “Rainbow” is a little bit of a switch from what he had been doing with Capsule over the outfits last three albums – 2010’s Player didn’t give itself over completely to hard-hitting club beats, but that one featured three Ed-Banger-esque numbers lasting longer than five minutes. Nakata only became more interested in the stuff over Capsule’s next two releases…and “Rainbow” still bares traces of that interest. Yet with this one, Nakata seems more interested in exploring several forms of dance music in the space of just one track. Toshiko Koshijima sings, but she only pops up a few times to do her thing. The bulk of “Rainbow” is pure dance, from the gentle synth-pop intro to the threat of brostep, a little wub-wub spin before the song dives into a more traditional segment. From there, it’s all about small mutations and sudden shifts into new territory. It’s a dance-floor adventure, of sorts. Listen here.

Her Ghost Friend Prep New Album Cosmic Counterpart, Preview Some New Songs

Her Ghost Friend occupy one of the stranger niches in modern J-Pop music. They are, distinctively, pop…there are clear, catchy choruses supported by twinkly instrumentation and Shinobu Ono’s lovely sing-rapping. Yet they aren’t quite in that hallowed upper crust of mainstream music, rather caught somewhere between front-row-at-Tower-Records and indie. They’ve released two great albums…a solid self-titled and a year-end-crashing number in last year’s Looking For Wonder…but still exist under the radar. Third time’s the charm right? The world shall find out, as the duo prepare to drop a new full-length titled Cosmic Counterpart, out July 10. In advance of that, Her Ghost Friend have previewed four tracks on SoundCloud. They range from the clattering, colorful “Itsumono Fantasia” to the playful run-around that is “Ice Planet,” a simple but sweet number. Ono also flexes off her rapping skills on the third song…over a fragile piano line and some clapping, she either rhymes or just speaks fast, but it’s Her Ghost Friend at their most charming. We will write about the full-length later, but for now enjoy these previews. Listen below.