How do you go about establishing yourself in a music environment packed in tight? There are lots of electronic music producers scattered across Japan now, and standing out isn’t an easy task. Akoustik Shadow, on new album Cross Over, decided the best way to approach this tricky situation was…try out a bunch of different sounds….
The artists associated with Osaka’s INNIT party have spent the last few years spreading their sounds across Japan, building up from a once-in-awhie party held in basement venues to being able to hold down their own stage at Tokyo’s edition of Sonarsound and tour with all sorts of international names. Not to mention to branch…
This isn’t the first time Nagoya’s POP-OFFICE have covered a song…but these two latest renditions highlight what they do so well better than what they’ve done. First, they take out Sparklehorse’s “Gold Day,” itself an understated, sadness-tinged number that’s best described as very pretty sounding but with a frown hidden deep within. Well, POP-OFFICE blow…
Things the new Foodman EP Hamakko reminds me of: – A space-themed Hanna-Barbera cartoon playing from an old, broken radio…in another dimension. – Jazz generated by a malfunctioning Commodore 64. – Alternate world soundtrack to the Ocarina Of Time Water Temple. – Alien theme park announcements. – The weirdest/best open-mic-night. – A really strange plate…
The biggest twist to this is the central vocal sample (and the title of the song) comes from “Blurred Lines.” Kobe’s Tofubeats manages to take a track that is (still!) pretty burned into the minds of contemporary music fans/people who just walk by stores prone to playing the biggest summer hits and flip it into…