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Category Archives: Music @ja

Confused Eyebrow: Batman Winks’ “Strange Love”

First there was a duo called Colorado Coronado, who seemed to fawn at the recorded output of Bradford Cox (Deerhunter/Atlas Sound) and set out to replicate it live, resulting in a few fantastic songs. At some point, their sound shifted from the ponderous to the ramshackle, as Colorado Coronado seemed to switch idols from Cox to Ariel Pink, LA’s most loveable weirdo. A name change soon followed, Colorado Coronado now going by the name Atlanta Girl. That project would release lovely little songs with fun little melodies…usually punctured by moments of sonic ugliness, shrieks or total freakouts of sound. It could be hit or miss, but few artists in Japan were as unpredictable and interesting as Atlanta Girl. And now Atlanta Girl has become Batman Winks, which is pretty much the same thing as Atlanta Girl. Except now comes “Strange Love,” which might be the most pop-friendly song to come from any of these artists yet…though still brace for some unsettling details.

This is just one of the strongest melodies to come from this camp yet. The vocals are still far from pretty – but dude is trying to sound catchy at least, even if he’s far from polished. Again, it’s very indebted to Ariel Pink. The strangeness comes in three places – first, there is some sampled dialogue acting as a bridge, which isn’t that nutty. Second, in the chorus, there are some jarring laser sounds. Third, the lyrics, which could be interpreted as a bit creepy (“and so I sneak up to you/from behind” made me do a double take and got me think if this was being a little too Ariel Pink-ish for its own good…giving Batman Winks benefit of the doubt here). But geez, the actual hop of this is great. Listen above.

New Carpainter: “Heat Up”

Datafruits, an online radio station and a label, has a new compilation out featuring several good electronic artists worth your time. You can get that compilation by clicking the photo above. Still, the name that jumped out at me was Japanese beatmaker Carpainter, responsible for one of the year’s best EPs (Ryan Hemsworth approved!) in Double Rainbow. His contribution, “Heat Up,” is a rollicking 2-step number pulsing with electricity. The beat is fast-paced and joined by various electronic additions, though the best sound here might be the vocal sample going “don’t take too long to heat up,” which undergoes various pitch shifts in Carpainter’s hands. It’s a dizzying little track, which you can hear below.

Music Alliance Pact September 2013

This month for the Music Alliance Pact, Make Believe Melodies is putting the spotlight on Kobe-based electronic outfit Cosmosman and their “Unique Fun Fiction.” Listen to it…and a bunch of other great songs from around the globe…below.

Click the play button icon to listen to individual songs, right-click on the song title to download an mp3, or grab a zip file of the full 29-track compilation through Ge.tt here.

JAPAN: Make Believe Melodies
CosmosmanUnique Fun Fiction
It has gotten to the point in the Kansai region of Japan – made up of cities such as Osaka, Kyoto, Nara and Kobe – where new electronic artists pop up nearly daily. It takes a lot to jump out from that crowded scene, but Kobe outfit Cosmosman do just that with Unique Fun Fiction. It is a playful number with an Enchanted Tiki Room vibe, but made even better by the unsettling nature of the vocals. It comes from the stellar Ananga Ranga album, available via the link above.

ARGENTINA: Zonaindie
TravestiBeduino
Fernando Floxon and Alejandro Torres are the cosmic rockers behind Travesti, a band whose music is often associated with transgression and misunderstanding, with songs that are dense, powerful and provocative. Their lyrics, always clever, rough, usually offer a certain social criticism. Beduino is our favorite from Suicidio Latino, their fourth studio album.

AUSTRALIA: Who The Bloody Hell Are They?
ManorArchitecture
The general assumption that tormented bed friends make better musicians most of the time is true – right? In respectable ‘dream-pop duo’ tradition, we hope these two are. Architecture is timeless pop right from the first off-beat. The track is set with slingback hooks, dreamy vocals and a fledging groove that sounds too much like Chairlift’s Caroline Polachek doing a cover of Men At Work’s Land Down Under for anyone to ignore.

AUSTRIA: Walzerkönig
Beach Girls And The MonsterI Go Surfing
This band draws their inspiration from American surf rock of the 1960s. Accordingly, their rendition of The Beach Boys’ Kokomo suits them so very well, not only because of the obvious band name correlation, but also because it blends perfectly into their own sounds. The aptly titled I Go Surfing is the first song of their four-track 7″ EP of the same name that was released earlier this year.

BRAZIL: Meio Desligado
A Fase RosaCasa
Música Popular Brasileira meets alternative rock at its best. This four-piece band is one to keep our eyes and ears on.

CANADA: Quick Before It Melts
The Provincial ArchiveCommon Cards
Back in 2011, Edmonton, Alberta’s The Provincial Archives made Canadian music touring history by being the first band to actually play live in each Canadian province’s actual archive; 10 shows billed as The Provincial Archive LIVE at the Provincial Archive. Common Cards marks their recorded music return, and is the first taste of music from their forthcoming third LP.

CHILE: Super 45
OtoñoScheider
After eight years of silence, Otoño are back with their psychedelic guitar-rock. Their atmospheric, drowsy sound grows every second until it explodes in a whirlwind of white noise, a perfect landscape for their gloomy, self-reflective lyrics. Scheider is taken from the quartet’s Páramos EP, released via LeRockPsicophonique.

CHINA: Wooozy
Worldwide Collaboration CompanyCrying Launer Remix (feat Chairman Ba & MC Stone)
Nobody knows who the people behind World Collaboration Company are, but anyone in China who listens to them will find something familiar. WCC mash up cross-talk recordings, TV series samples, Chinese propaganda songs as well as rock and hip hop, and put an overwhelmingly sarcastic touch to it. While some criticize WCC’s sound collage approach as being too lighthearted, others can argue WCC are simply one of China’s best and most clever sample players. Love them or hate them, one thing you can’t deny is WCC reflect the true pop landscape of modern China.

COLOMBIA: El Parlante Amarillo
MULAA. Grisales
With much pride we present MULA, a kind of supergroup formed by Santiago Botero and Mange Valencia. Armed with saxophones, bass, drums and guitars, they effortlessly incorporate anything from punk to jazz to champeta – they don’t recognize genres, but sounds. It’s a very particular and special view that takes form in the track A. Grisales, inspired by Colombian TV’s first diva, Amparo Grisales.

DENMARK: All Scandinavian
SPEkTRThe Infirm
Three years on from their second album Personetics, SPEkTR release The Door Is Paint On A Rock EP on September 23. Frontman Manoj Ramdas (also The Raveonettes, The Good The Bad) calls it Soundtrack’n’Roll and there’s no good reason to argue with that description. Here’s the awesome EP’s first single, The Infirm, which also comes with this video.

DOMINICAN REPUBLIC: La Casetera
MediopickyLa Ola (feat Cristabel Acevedo)
Urban-alternative sensation Mediopicky pairs up with Cristabel, one of the twins from the folk duo Las Acevedo, to make a sweet, summery track. La Ola, from Mediopicky’s upcoming EP Cantinas, features moombahton beats specially made for Cristabel’s tender voice, conveying that feeling of saying goodbye to the last days of summer.

ECUADOR: Plan Arteria
Rima Roja En VenusBendición De Ser Mujer
The impressive female rap of Rima Roja En Venus shows the strength of the fight against discrimination and violence. These two women use music and poetry to express social criticism with a positive message. Bendición De Ser Mujer is taken from their 2012 album Libre Albedrio. You can see the video here.

ENGLAND: Drowned In Sound
65daysofstaticPrisms
From movie soundtracks to Japanese arena shows to a US tour with The Cure, this electronic outfit from Sheffield have had one hell of a career since forming back in 2001. The cult heroes’ fifth album Wild Light is out this month, and finds the band continuing on their mission to retro-fit the future. Mixing together a myriad of glitches and orchestral sounds they’ve created yet more of their signature brew of complex but hearty digital delights.

ESTONIA: Rada7.ee
Thou Shell Of DeathThe Night-Wind
This strongly ambient-influenced black metal band is majestically atmospheric, with mesmerizing live shows. Thou Shell Of Death has played all over the Europe, sharing stages with well-known and underground acts (Strid, Negura Bunget, Vesania, Altar Of Plagues, etc). The Night-Wind is from their new album Sepulchral Silence, released this month by Austrian label Talheim Records.

FINLAND: Glue
MaglevsVan Rijn
Indie band Maglevs play organic dream pop with strong dynamics that might draw comparisons with Okkervil River. They have just released a debut EP that you can hear and download on SoundCloud.

INDIA: NH7
BlentCafe Coffee Tale_Bummer
Blent is the music project of Bangalore-based Aniket, a game designer by profession and an experimental electronic music producer seemingly by way of hobby. Blent has just released his first formal set of tracks that became the Dusk EP, available for free download from Bandcamp. Blent’s music lends itself to the experimental genre but can be best described as The Postal Service meets Four Tet, coming together with the staccato pace of the garden city of Bangalore.

INDONESIA: Deathrockstar
BikiniesDance Floor Mafia
All girls, all fun, all wild on stage. Influenced by the 90s alternative scene with distortion and yelling, Bikinies offer one of the rawest sounds in Jakarta.

ITALY: Polaroid
His ClancynessZenith Diamond
His Clancyness, once a solo project for A Classic Education’s Jonathan Clancy, now a full band, deliver an intense and psychedelic, sometimes dreamy, sometimes fuzzy sound inspired by the likes of Deerhunter, Kurt Vile and Lower Dens. Amazing new single Zenith Diamond is taken from Vicious, one of the most important Italian rock albums of the year, which gets a UK/US release on October 7/8 through FatCat Records.

MALTA: Stagedive Malta
Alex AldenJust Like You
Alex Alden takes every opportunity to play live and share her lyrics and poetry through song. Having performed extensively in various venues around the islands, she is now relocating to Holland for the next few years. Alden’s music is heavily influenced by blues, pop and classic rock, and draws inspiration from jazz whilst exploring the trials and tribulations of young adulthood, often using the themes of nature, mythology and childhood to communicate her message. Earlier this year she released her debut EP The Curious Child.

MEXICO: Red Bull Panamérika
Mood-FuPerros De Fu
Mood-Fu, formed by two brothers from southern Mexico City, have released their first album after a very successful introductory EP. Filled with bass, soul and R’n’B flavors set to angular lyrics and enjoyable rhymes, Perros De Fu is a powerful portrait of the city’s nightlife with a little bit of social critique and urban apocalypse. The release features various friends and stars from the Mexican indie music scene.

PERU: SoTB
Iván FajardoMe Voy Dejando
Iván Fajardo is a musical icon in Peru, his musical independence reflected in bands such as Indigo and Era. It is displayed once again in his first solo album, Vímana, the highest point of his career. This new beginning has 10 songs full of mythology, nostalgia and melancholy. In Hindu mythology Vímana is a flying machine and the album promises to be a space trip.

POLAND: Łukasz Kuśmierz Weblog
Furia FutrzakówNoc Wystarczyć Ma Na Dłużej
Four years after releasing their self-titled debut LP, Warsaw electro-pop duo Furia Futrzaków are back. They have moments when they sound like Junior Boys, as you can hear in Noc Wystarczyć Ma Na Dłużej, a single from Kalejdoskop EP, but things are a little bit different here. Soulful vocals, lyrics about mainly happy (but difficult) love and a warm coating are Kinga Miśkiewicz and Andrzej Pieszak’s own contribution.

PORTUGAL: Posso Ouvir Um Disco?
Nome ComumCuco
Nome Comum (“Common Name”) are a quartet led by two siblings, Bernardo and Madalena Palmeirim. Both are writers, players and singers in the band. Cuco, which is also the name of their debut album released this month, is their first single. It has a video directed by Gonçalo Soares.

PUERTO RICO: Puerto Rico Indie
Un.RealPiloto
Gardy Pérez began experimenting with an analog tape recorder back in 1995, a direct response to the cancellation of MTV’s seminal Alternative Nation. Trying to channel all the energy of the shoegaze movement he had been exposed to through television, Pérez founded Un.Real, becoming one of the great emerging bands from Puerto Rico’s west coast underground scene. An extended hiatus and various line-up changes later, Un.Real is back and revitalized in their new EP, Épico. The song Piloto showcases the dreamy soundscapes Un.Real is so adept at while adding guest vocals by Xavier Rodríguez of local band Indigo.

ROMANIA: Babylon Noise
PoetripAşa Ceva
Described as a mixture of krautrock and Japanese psychedelia, Poetrip is a band who became popular by promoting their music as a dadaist manifesto. They make use of pop clichés to convey attention to absurd and often psychedelic musical contexts.

SCOTLAND: The Pop Cop
Blood RelativesFowl Mouth
Formerly known as Kitty The Lion (featured in the Music Alliance Pact’s October 2012 edition), Blood Relatives create upbeat folk-pop songs of a peerless quality, wrapping irresistible hooks around the unique talents of Anna Meldrum, whose lyrics are peppered with wordplay, double entrendres and puns, with particular fondness for animal-related content. Case in point is MAP exclusive download Fowl Mouth, the opening track of debut album Deerheart, whose release on October 28 through
Comets & Cartwheels can’t come soon enough. While you wait, check out the videos for album tracks Dead Hip and Deerheart.

SOUTH KOREA: Korean Indie
Square The CircleBitchquito
Rock band Square The Circle has a fondness for uptempo tunes that give them a chance to show their colors. They’ve been around for a couple of years and released their 1003 EP in August. Bitchquito is a song with great energy, telling the story of a girl that sucks blood like a mosquito.

UNITED STATES: We Listen For You
WharferArchitect
Brooklyn’s Wharfer is the musical project of Kyle Wall. Wall complements his gentle and emotional backing music with commanding vocals that cut through the speakers with one intention: to make the listener feel every word. With every subtle artistic choice, Wall is simply defining himself as a songwriter with the intelligence to back up his raw talent.

VENEZUELA: Música y Más
Da ViandaNómada
In late 2012, and after nearly a year as a band, Da Vianda recorded their first EP, which contains six songs written by these four young boys from Puerto La Cruz. “Our goal is to have fun and create honest music,” they say. Their self-titled EP can be downloaded from Bandcamp.

New Sapphire Slows: “Dry Fruits”

Sapphire Slows’ has a new album out in November called Allegoria, and here’s the first track to come out from that album, “Dry Fruits.” It’s a slinky number, a reminder that she comes from a scene every bit as interested in dance music as they are more shadowy sounds. Just listen to that particularly wet synth running the whole playtime of this song. And a nice bass line, too. Sapphire Slows, though, undercuts all of this with her stretched out vocals, which add an element of unease (“I don’t care/if no one knows your name”) to the whole thing. Listen below. Thanks to Gorilla Vs. Bear for debuting this one.

Laid-Back Whimsy: Nohtenkigengo’s OOO

Whimsy might not actually be the right word for what Nohtenkigengo does. Sure, the bulk of the music this solo project creates involves the sort of instruments that make one’s twee radar go off like mad, including xylophone, accordion and all sorts of other cutesy sounds. This sonic choice…along with the voice singing all the words here…brings to mind Shugo Tokumaru (or, to some degree, Sufjan Stevens when he was still putting on faux-musicals about Midwestern states). Nohtenkigengo, though, stands out on his own though on his latest collection OOO, a sensitive album built for lazy, lonely afternoons.

What separates Nohtenkigengo from the above mentioned acts is his laid-back nature – whereas Tokumaru or Stevens are very deliberate with every note, the songs on OOO just sway, every accordion push and guitar line not racing to get anywhere in particular. Sometimes, they build up to a climax (like on the title track), but that rise surprises you, coming out of nowhere to be just a touch more dramatic than what preceded it. This isn’t flashy music – rather, it is slowly enveloping stuff. The twinkling “Echo,” complete with a beat approaching a military march made for stuffed toys, is probably the fastest song here, and it still feels like a stroll around a park. This is a very rural album, one where the instrumentation evokes images of the countryside (opener “Toi” definitely features recorder, and probably features banjo), and the more relaxed nature those areas tend to have. Get it here, or listen below.