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Category Archives: Music @ja

Pipe Dream Compilation Volume 1 Featuring PARKGOLF, Ninja Drinks Wine, DJ YEN And More

Sapporo seems to be having a moment right now. Electronic artists from that northern city have been getting more and more exposure as of late, names like Ninja Drinks Wine and Jealousguy popping up on electronic-leaning comps regularly over the past year. Osaka’s INNIT held a special event in the city recently, and producer PARKGOLF remixed a song for American artist spazzkid. New collective Pipe Dream, then, comes at the perfect moment. It’s stated goal is to bring together and share electronic music from Sapporo, and they’ve released their first compilation album doing just that. It features some of the names that have become regulars on online releases – PARKGOLF, naturally, shows up with the skittery “Granita,” anchored by a vocal sample that goes “just like me baby,” except more hiccup like. Jealousguy and Ninja Drinks Wine also do what they do best. Yet some less known names also show up, and showcase some intriguing material. Water Field gives us the appropriately shimmering “Crystal Night,” while Buddhahouse offers some restraint to an often busy collection with “Aquarium.” The best cut belongs to DJ YEN, though, because his 8-bit-featuring beat features a real singer, Naoka Toyama, an addition that makes “Raining” more fleshed out. Get the thing here, or listen below.

Super Star Shore Trip: Slow Beach (Featuring Kai Takahashi, Twangy Twangy) Release Lover Lover

Slow Beach are a Japanese indie-pop supergroup of sorts – they feature Kai Takahashi and Twangy Twagny (a.k.a. Dai Ogasawara), but find both of them making surf-leaning music (see – the name). They’ve released their first album, called Lover Lover and you can get it for free here. Go do that! I’ll write more on it later…for now you can also listen below.

Randes Vouz: “Queen Anne”

No nonsense here – here’s a Japanese outfit out of Sapporo that provides info but not too much information about themselves. They put on a party every once in awhile, and have a few songs online that came out prior to “Queen Anne.” But man oh man, “Queen Anne.” This is direct, bouncy pop, no unnecessary trimmings dangling off the side. It’s shiny synths bouncing forward and lovely singing that hop-scotches along with the music, bringing to mind the same voice as American shoegaze act Asobi Seksu. It’s straightforward but extremely ear-wormy, all breezy and light. Listen below.

Safe At Home: Juliana Paris’ “Wasuremono No Mori”

Plenty of bedroom-based musicians do not deserve your time, but when a good one pops up, they are special. Japan’s introduced a lot of good ones into the musical conversation over the last year, and even more continue to pop up online. Out of the digital ether comes Juliana Paris, a project whose latest track “Wasuremono No Mori” stands out from the ever-crowding online world. It sounds distinctively lo-fi…the vocals trip over themselves, and the entire song’s sound comes off as just a little jumbled together, a lot of stuff going on but not always coming through clearly. The whirring synths are nice, especially as the notes go higher as the song unfolds, but I’m not writing about this one because of the crisp sound. Rather, Juliana Paris have hit on a great melody on “Wasuremono,” a twinkling little number that manages to find a balance between shuffley dance number and emotional beast. It brings to mind a basement Brixton Academy…or, maybe more immediate, Super VHS…in how touching this shuffling little track can get. Listen below, or get it here.

New k■nie (Kenie_T): “Papapa”

In which Tokyo producer Kenie_T…who on SoundCloud now goes by knie with a block symbol between the “k” and “n”…realizes Vocaloid doesn’t have to be just a replacement singer. The productions released by this artist over the past few months have been warm and dizzying, yet it’s on “Papapa” in which the digi-voice of Sekka Yuhu…potentially meaning Sekka Yufu, the computer-generated singer favored by friend mus.hiba…gets reduced to something purely sonic. Over synth plinks and plonks, that voice doesn’t sing anything concrete, but rather her speech gets reduced to single-syllable raindrops, a sweet detail amongst a flurry of lovely electronic touches. Not only is it a reassuring demonstration of what Vocaloid can be…an experimental instrument…it’s just plain gorgeous. Listen below.