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Category Archives: Music @ja

New Homecomings: “I Want You Back”

“Patrick, I thought you had nothing new to say about Japanese indie-pop?”

“I probably don’t, but that’s not going to stop me from highlighting this new song from Homecomings.”

“Huh? I don’t follow.”

“Well, Homecomings don’t do anything particularly new, especially in the ever-crowded field of Japanese indie-pop. It has been, what, three years since a new wave of these Sarah Records worshiping bands came around?”

“Yeah, sounds about right.”

“OK, but it’s 2014 now. The indie-pop scene has had plenty of chances to catch us off guard, but a lot of these bands have stayed glued in the same place, imagining a world where music ended with the release of the C86 tape.”

“I guess that sorta sucks.”

“Oh, not at all! Look, as long as young melancholy people have access to cheap guitars and recording equipment, this style is always going to exist. And those kids need that community as an outlet…not everyone comes out of adolescence a super-cool outgoing person. Plenty of people exit the teen years still feeling wistful, holding on to unrequited love. And that’s fine and dandy, as long as they don’t get creepy about it.”

“Uhhhhh, weren’t you going to talk about Homecomings?”

“Right, right. Well, see, lots of indie-pop bands have popped up over the last few years, but a few have been better than others. Homecomings’ album last year is half the reason I’ve gotten less excited about the twee stuff in this country…they just do it so well. Just listen to this ‘I Want You Back’ song. It hops along and is catchy as heck, but it doesn’t sound ramshakle. It sounds crisp, and the vocals come through clearly, making the words hit even harder. And the chorus! It isn’t quite as pronounced as on some of their other songs, but the vocal harmonizing sounds so good coming from this lot. Songs that sound like they were recorded in an old rec room are charming and can be great…and the ‘anyone can do this’ ethos of indie-pop is great…but sometimes a little extra effort goes a long way.”

“Nah, I feel you…though I’m not sure I needed much convincing.”

“Probably, but it would have been boring to watch the video above and just write ‘man, these guys are great.'”

(Listen above, via Neaux)

New Mitsume: “Sasayaki”

Tokyo indie-rock quartet Mitsume’s third album Sasayaki comes out today, and all signs point to it being a bit of a breakthrough. It’s getting a decent push in stores…I saw the display at the Tower Records in Shinjuku this afternoon, and it is right in the front, and big! And it’s probably going to be an artistic leap forward too. Mitsume have been getting better with each release, starting out as a serviceable-albeit-unexciting indie-pop band on their self-titled debut, and then showed signs of experimentation on the step-in-the-right-direction Eye. The tracks to appear in advance of this one are even better – this one found them locking into one of their best grooves to date, while managing to make the edges of the track sound strange and even slightly unhinged. And now the title track, similarly focused yet allowing splashes of wildness to creep in (the guitars and the feel contributed by the drum machine hits). Yet at the center is a catchy melody that never relents. Listen above.

New Miii: Everything Happens To You

Drop-loving producer Miii has been teasing new tracks online for the last few weeks, and now they all come together on Maltine Record’s 128th release, Everything Happens To You. His aggressive sound is intact, but he’s pushing his songs to new lengths…the first two tracks here clock in at over seven minutes. Yet they all work. There will be more about this album in the near future (wink wink), but for now, go download it here.

New Dorian: “Silent Hill”

How Dorian’s new album Midori got lost in the 2013 shuffle isn’t clear, but it did…part of the problem might have been the fact no full-length audio of any of the album’s tracks appeared until the end of January 2014 (a sampler had been released, but a minute of material isn’t enough to really dig into). Turns out a gem might have been missed, or at least one excellent song was. Up until this point, Dorian has been associated with the City Pop revival, and he’s become a go-to producer for Hitomi (he appears several times on her new full-length Snowbank Social Club). This sorta forced Dorian into a corner as that City-Pop guy, even if it was a reputation he didn’t always deserve. Maybe that’s why Midori breezed by…easy to forget about something you think you’ve already heard.

Welp, turns out that was a dumb thought. “Silent Hill” hints at a new direction for Dorian, one where he steps away from the nostaligia-dunked sound he came to attention for in favor of tropical sampledelica. Beach-side stuff has always been in his arsenal, but here Dorian is getting a bit more abstract and less in-your-face poppy. It’s one of his sparsest constructions to date, the steel drum adding the mandatory island flavor, but the twinkling piano loops and fuzzy vocal samples take this somewhere else. Whereas before Dorian trained his eyes on the club (possibly the club located in 1980s Japan), here he lets his music float. Listen above.

New Madegg: “Safe Rena”

Being prolific does not equal being good, but Kyoto’s Madegg makes it easy to think the two are simultaneous. Despite scaling back on how much music he uploads into the wild…a couple years back, you could hardly go a day without seeing a new song courtesy of the young producer in your SoundCloud feed…he’s still creating more new music than most artists in Japan. “Safe Rena” will appear on his forthcoming new album…which follows up a full-length that appeared last year, which followed up a full-length that came out the year before that…and is a lovely preview of what to expect from Madegg’s next album. The first half of the song is pure build, a series of windy electronics racing around one another, the overall feel akin to a Dustin Wong composition. Then the track blooms in the second half, a marching beat changing the vibe completely without ever swallowing everything up in aggressiveness. It’s restrained but still powerful. Listen below.