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Category Archives: Music

New Aoi Yagawa (Produced By Tomggg): “On The Line”

It’s always a welcome site to see worlds collide, even if you could kinda see it coming. Aoi Yagawa is a member of maison book girl, one of the many idol outfits to splinter out of BiS (uhhh, the original one). They initially seemed just like every other group sprouting out from that “anti-idol” outfit’s shadow — trying really hard to be like BiS, and feeling totally forgettable. Unlike the rest though, that first judgement turned out to be completely wrong — maison book girl stand out from the rest — and that legacy looming over them — thanks to a unique sound palette they’ve made all their own. This year’s “Faithlessness” is top-five J-pop easily in 2017, a number conveying a similar darkness as BiS but boasting just an absurd hook.

Yagawa teamed up with Maltine Records for a new single, which came out tonight. Maltine’s interest in idol music is well established by now, and for “On The Line” Yagawa sings over a beat provided by Tomggg. In a nice change-up, the song finds both out of their elements slightly. Yagawa sings in a slightly less dramatic way than she does in maison book girl, given space to let her words rattles around and for syllables to take their time forming. Tomggg, meanwhile, moves a step away from playroom production (though, watch for those subtle chiming sounds) and comes closer to fizzy soda with an electronic arrangement practically dissolving. In a move bringing to mind a more immediate reimagining of Cornelius’ Mellow Waves, he also splashes in some acoustic guitar strums, adding a nice spring to the number. It’s a great combo, with surprising results. Get it here, or listen above.

New House Of Tapes: “Dark Lands”

Nothing says “abnormally warm October day in Japan” like some ominous electronic music. Yet Nagoya’s House Of Tapes does it well, and “Dark Lands” pulls out yet another switch-up from a producer who was recently getting back into crowded sounds. Here, though, space is ample — “Dark Lands” moves along, letting the synthesizers and drum machine beats fully establish a shadowy mood…and then letting the subsequent unease come through clearly thanks to the attention allowed to them. Listen above.

New Frasco: “Viewtiful”

Duo Frasco have been offering up a nice alternative take on Japan’s current interest in laid-back music, and “Viewtiful” highlights just how. Whereas other young groups tend to keep everything super laid-back — and, more importantly, build around guitars — Frasco let a little tension sneak into their synth-pop jams. “Viewtiful” is in no rush to get anywhere, and mostly finds the singing coming out via a relaxing, easy-going delivery. Yet this peace often gets disrupted by warbly electronics, and even the singing takes on an odd pitch once in awhile. Overall, still relaxing, but the stranger parts do come through. Listen above.

NES Delivers The Best Remix Of W-inds “We Don’t Need To Talk Anymore”

Released at the very start of the year, pop trio w-inds’ “We Don’t Need To Talk Anymore” beat most J-pop to the trop-house punch, leading to a (surprisingly solid!) full-length riffing on similar ideas. The song became a go-to for a lot of remixes from all corners of Japanese music, many of them good but maybe not worthy of putting in the spotlight exclusively. Fukuoka producer NES’ take, though, definitely deserves some shine. Released a couple months back but sounding just as lively in October as it would of during peak summer, his remix of “We Don’t Need To Talk Anymore” transforms the song into a UK garage cut, one accented by sweet strings and these downright rainbow-tinted synthesizer waves. NES reveals a whole new thrilling angle to the song — there is something speedy and playful here, not present on the more dramatic and mid-tempo original, but blooming out totally here. Even the late song drop ups the energy. As great a J-pop remix as I’ve heard in 2017. Listen above.

Jumbled Up: Rakia’s “Dimples”

Everything in “Dimples” sounds a split second away from collapsing in on itself. Composer Rakia’s latest starts off with sparse keyboard notes that initially give off some serious Flau vibes, but that gives way right after as the beat skitters off and everything gets whirled up. A lot happens across “Dimples,” including some hi-def vocal samples shooting out between what sound like door creaks, plus a mid-section saxophone section that’s a total sucker punch. Yet unlike a lot of goofy “IDM” that tries to wow by a series of scatterbrained electronics and nothing else, Rakia conjures an actual song from this fractured set of sounds. Listen above.