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Category Archives: Music

Travel Guide: Fujin Club’s “Tabi To Ferry”

Everyone could use a vacation at some point, and the music created by Fujin Club makes dropping everything and hopping on the next train to the coast sound necessary. It’s tough pinpointing just what Fujin Club is — it’s a group of four women, all of whom hide their faces and refer to themselves as Fujin A through D, alongside . The bio goes they live on an island (Sado Island), and are all housewives who got together to take part in a pop art project. The only known contributor is producer Nozomu Sato, who crafts their windswept sound. This reads like an idol concept, and you could argue this is just a clever mutation on the idea. They might also be an island PR project! Whatever Fujin Club are, the music they make is relaxing and energetic, often themed around everyday life on a far-off island that, to a city dweller, reads like sweet escape. They haven’t released a ton of music, but what they have is jaunty and loaded up with flutes and horns courtesy of Sato, who crafts music capturing the feeling of a slow life. A particular highlight is 2015’s “Gourmet Kikou,” a song about eating delicious food.

Their latest, “Tabi To Ferry,” builds on the travel theme, as it is about taking a trip on a ferry (conveyed in the video pretty clearly). Musically, though, it finds Sato making his production move at a familiarly skippy pace, coming close to something resembling the continental daydreams of Pizzicato Five, but with the Pan-Am decor swapped out for regional prefecture pamphlets (this is the point you could fashion a lot of big-picture thinkpieces). It’s a brisk number featuring pleasant vocals from the group themselves, building up to a particularly sweet hook bringing to mind Vanilla Beans or Negicco at their jazziest. Listen to that one above, at the top of the page.

New Metoronori: “Carmin Seishitsu No Shi”

Needed something to write up quickly for a busy night…and along comes Metoronori with a new, short look into her alternate-dimension pop world. This brief but intriguing song is the first taste of her new album Hanryo, which is out in August. Definitely one to look forward for those who like their warm weather months soundtracked by something just off-kilter. Listen above.

New Dotama: “Y☆kai Watch”

One of the reasons Dotama has stood out from the pack of ascendant Japanese rappers that have been gaining buzz over the last few years is his selection in beats. His latest, “Y☆kai Watch,” features production from Imai of (very ahead of their times!) group_inou, and the slippery feel and simple-but-emotional approach that make that duo such a pleasure to listen to comes across on this sillier number riffing on various kid-friendly trends (Yu-Gi-Oh! shout out). While Dotama isn’t as intense as cp of group_inou, his swift rapping and ability to leap between vocal deliveries works against this backdrop…and his humor fits nicely too, something group_inou have plenty of too. Listen above.

Deviled Up: Lotus Echo’s Sell Your Soul

Juke in Japan takes on many forms, but nearly demonic feels pretty rare. Producer Lotus Echo delves into these heavy and dark corners on Sell Your Soul, an album put out via American label Fusion. Lotus Echo gets harsh right away, with the deep-voiced demands of opener “Do You Say That Sell My Soul,” before chopping up loud, Judas-Priest-ish electric guitar notes on “Boreeeed.” It isn’t a totally heavy affair…it can get downright playful on cuts such as “Get Moneyyyy.” But what makes Sell Your Soul an interesting listen is how much of it feels just off, or how uneasy it can get (check the hair-raising skitters of “Legend”). Get it here, or listen below.

New Cornelius: “Sometime / Someplace”

If “If You’re Here” found Cornelius reflecting and letting his music wander, “Sometime / Someplace” pivots back…at least partially…to the synchronization of Sensuous. Here, every sound is locked in, and even the syllables coming out of Cornelius’ mouth work in a sort of lock-step. He’s still leaning towards something more melancholy than on his previous solo efforts with the lyrics, but hearing them fall in place with measured-out acoustic guitar strums and snippets of sounds distracts. Which isn’t to say he’s reeled himself in. Everything goes along fine until a big electric guitar solo enters and tears all the order to shreds, offering a nice dose of chaos and throwing it off center. Listen above.