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Category Archives: Music

Sad Moves In The Dark: ELLEH’s “American Lover”

ELLEH is the new project from Bob (of Ice Cream Shout, Cloudy Busey and many more) and Satoru Teshima (fellow Japan-based blogger over at Lights And Music), and the unifying concept here is “sad boy disco.” The thrust of this thematic glue is the duo make music apt for those early morning hours (or late night ones, depending on perspective), when you are sleepy and maybe a bit wasted and probably dwelling on one too many romantic screw ups. But…you still want to try to dance it away, and the club is as inviting regardless of how much heartbreak is swimming around your head.

“American Lover” serves as a good intro to ELLEH’s driving creative force, a mid-tempo bouncer that finds Teshima ruminating over an old connection gone south, driving home the geographic edge of the song with a lot of references to “dollars” and “gold” (nothing says love in America like sweet, sweet capitalism), all delivered in a style that brings to mind Hotel Mexico. Pushing this forward is a persistent beat that keeps the song tethered to the dance floor…though, the little ripples and disruptions in the song hint at the heavy-eyelids of the protagonist. Listen above.

New Ojaco: Head In The Clouds

We’ve been on a bit of a textural kick recently, tickled by music that aims for a sense of feel. Producer Ojaco has long been doing this sort of sound well, and his recently released Head In The Clouds album is one of his strongest collections yet. The trick lies in Ojaco’s ability to mix the dreamy with the tactile, clear from the start on “Vaguely,” which matches fuzzy piano notes and synths up against skittery drum patterns. This pattern repeats later on with “Phantom-Rom,” albeit with more video game tones, but which gets pushed in new directions on harsher cuts such as “Crime And Punishment.” And then there is highlight “communication.zip,” a flat out fun dance number with tropical hints, but is just a joyful little number full of twists and turns. Get it here, or listen below.

New Mukuchi: “Kiekake No Gaitou”

There’s a lot of good stuff piled up in the Make Believe Melodies drafts folder (it is very disorganized), but the best place to start is with some pleasant seagazer music from Mukuchi. “Kiekake No Gaitou” is a light but charming number that is barely there, skittery beats and keyboard out of an old-timey, sort of faded ball game pushing it all forward. Mukuchi herself sings over it, in a calm voice that is less like a whisper and more like it is coming from the other side of the shore. Listen above.

New Maho Littlebear: MLB

Been a while since Maho Littlebear shared new music, but she’s back with MLB, a four song rumbler of electro-pop. MLB finds the Kyoto creator laying down mid-tempo dance-pop music, sometimes unfolding at a jittery, almost creeping pace (opener “Want”) to moving at a more pop friendly pace (“Skippy” tells you what you need to know right in the title). Over any form goes her singing, delivered in monotone and across MLB offering an uneasy longing to every song. She works best when the sounds mesh perfectly with her delivery, as they do on standout “Lovely,” which pairs her vocals up with synths that just wooze out. Listen above.

Skittery Synthesizer: Vocaloid Juke

The title, as beautiful as it sounds, is not totally honest — it is more like “singing-synthesizer juke,” as the voices popping up across this collaborative album between Omoide Label and Massatsu Records come from a variety of sources (one example — the sixth song here uses a computer-speak program, one that helpfully lays out how a beat is developed, including the introduction of the Amen break). Regardless, this album finds a handful of producers creating juke numbers using digi vocals, some embracing the sound of a virtual singer amidst the chopped-up sounds of the genre, others actually trying to make proper songs over the style. It goes off in all sorts of directions, but plenty of interesting ideas..and good tracks…come out of the combo. Get it here, or listen below.