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Category Archives: Music

Modern Meditation: No Kissa’s No Kissa

Confusion comes naturally on No Kissa. “Vaporwave? Ambient? Screw?” riddles the description for this, the first new release from the project (they describe themselves as an “enigma unit”) of the same name in four years. But this playfulness is what makes No Kissa an absorbing listen, as No Kissa avoid falling into any specific genre trappings, allowing them to make something that echoes a bunch of familiar sounds without really sounding like it (though…it’s not screw music, that’s actually an easy call). It’s closest to what ΔKTR (who, hey, developed the cassette for this) does, which is to take dusted music and loop it into a way to really find the best part. Stretches of No Kissa offer downright meditative creations coated in a bit of tape fuzz, from the opening track to the classic-tinged “Attsui Onsen.” It can be downright melancholy — just check “Tenmado Checker,” pure post-midnight lonely streets soundtrack material.

Yet the bulk of No Kissa weaves in a beat and sliced-up samples, but often just haves more fun with it. “Dear Drivelight” revels in syllables that practically stutter, while later songs play around with the pitch of samples to create warped little love songs. And hey, plenty of smooth guitar playing sneaks in as well, though all of it still feels like a different perspective on the style (see the goofy synth boogie of “Handshake Boy”). This is a nice summary of No Kissa, and a lovely new take on something that felt so familiar this decade. Get it here, or listen below.

New LLLL Featuring Smany: “Nebula”

The voices and artists LLLL pulls into their songs tend to be perfect fits for the sounds surrounding them. Smany makes sense to join the Tokyo producer on new song “Nebula” — she’s spent the decade creating spacious electronic songs wherein her voice adds necessary human tension. “Nebula” moves at a swifter pace and features just more happening than in a usual Smany song, featuring synth ripples colliding with the beat and electronic melodies passing through. Yet she slides in well, her more stretched out delivery offering a nice contrast to the quicker tempo. And she ends up helping to add some light to at-times unnerving sounds, which gives “Nebula” a little bit of optimism flowing through it too. Listen above.

Make It Creep: Araki Takara’s Paranoia

It has been a pretty good stretch of time for Japanese artists making pop with a deeply unsettling side. Entering the fray now is the latest release from a netlabel I’d usually associate with the brighter side of sound, Tanukineiri Records, with Araki Takara’s Paranoia. Similar to yahyel, you don’t have to bend yourself out of shape to realize a lot of the unnerving details are intentional — I mean, Paranoia gives that one away — so that this is kind of like ASMR for people who love feeling anxious. “Speechless” is the stunner for me, a trip-hop stroll with plenty of space to create a Halloween-appropriate atmosphere. And fittingly, the pace picks up suddenly and Takara’s voice gets pitches around, turning this one into an unpredictable and creepy number. It’s a feeling that carries over to the lurch of “Loser,” and even works its way into the most buoyant cut here, “Selfish,” where Takara raps. But her voice still mutates, and off in the distance something stirs, always looming. Get it here, or listen below.

New KiWi: “Obake Nante Kowakunai”

Halloween is creeping up on us, with festivities in Japan probably starting (and quite possibly being at their peak) this weekend. KiWi’s love of all things spooky and Adam’s Family values makes them apt to share a new song for the season, and “Obake Nante Kowakunai” is a free download until Oct. 31. It’s more funhouse than haunted house, though, finding the duo sing-rapping through a layer of digital effects over a rumbling beat…before pivoting to just-off carnival-style music. Like a lot of their music, it is light hearted and a bunch of fun. Update your Halloween playlist accordingly. Listen above.

New Ghostlight Featuring Nogawa Kazune: “Kimi No Suki Na Yoru No Hanashi”

Even with the beat gently pounding away, the first half of the latest creation from Ghostlight sounds like something you could wrap yourself up in. It’s all string plucks, twinkly electronic notes and the near-whispered voice of guest Nogawa Kazune drifting over the playroom skip. It’s calming and somewhat heartwarming (the lyrics reveal a little bit of lingering pain, but everything else bandages it) — and then near the end it really lets go. The beat picks up, the singing gets ever-so-slightly louder and this track ends on a bumping note. Listen above.