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Category Archives: Music

New tofubeats: “Run”

Going “off the grid” — which, in 2018, means going somewhere with unreliable wi-fi and distracting yourself with a lot of time-sensitive work — can be great in a lot of ways, but boy is the return to the real world jarring. I spent the last five days at the Fuji Rock Festival, and couldn’t really keep up with…anything during that time. While not as pressing a concern as I come back to a daily routine — that would be being behind on work, sorry all my editors — the feeling of trying to catch up on everything that came out in Japanese music these past few days feels particularly daunting Tuesday morning. But one release rose above while out in the wilds of Niigata. That would be tofubeat’s new song “Run.”

The balancing act tofubeats has always performed is being a producer and being a performer in the spotlight. He’s navigated that tightrope well thus far, though last year’s Fantasy Club saw him edging back towards the center. And his 2018 output has only underlined that more. “Run” gives tofubeats space to step into a rap role that he’s long fancied in his career, and the end result is one of the giddier raps he has made, moving beyond the self-doubt found on last year’s album but also being a bit more serious than freebies like “Drum Machine.” “Run” also avoids the typical Japanese hip-hop pitfall of trying too hard to sound like an American artist, opting for something a bit more in tofubeat’s own lane thanks to the digi-pizzicato and general bounce. Plus, at just under two minutes, it wastes no time. Listen above.

MATSUANDTAKE Teams Up With Imai For My Life, Out There

This weekend is Fuji Rock Festival 2018, and I’m heading up to the mountains today! So this is more of a housekeeping post that updates might be sparse over the next few days. To tide you over, this new release from Maltine Records should hold you over, as it brings together two good producers (plus some solid remixes) for an energetic set. Get it here, or listen above.

New Monari Wakita: “Gozigen Lover-Joi”

Look, if a former Especia member does something musically, this blog will almost certainly cover it.

If parts of this HALLCA release lean in on nostalgia for Especia, Monari Wakita’s solo career has been an effort to take similar ideas and turn them into livelier numbers that seem to be a bit more focused on potential mainstream play (they play much more boring versions of her funk-pop all the time here, so why not her?). “Gozigen Lover-Joi” doesn’t offer any changes to what she’s done in the past, but rather offers up another bouncy synth-assisted number playing into the pure pleasure center of pop. It’s shaped by past trends, but so energetic to zoom past any of the trappings that often brings about. Listen above.

New Sleet Mage Featuring Gokou Kuyt: “Pink Dreams”

These two internet-squatting rappers have hooked up together in the past, but “Pink Dreams” finds them both showcasing their best skills while in one another’s orbits. Set over an appropriately bleary-eyed beat, Sleet Mage delivers sing-song lines jumping from J-pop t-shirt material (“I feel like a shooting star”) to more ripped-from-context shout outs to Gucci and “two cups.” They make it sound aching, though. Gokou Kuyt, meanwhile, does a great bit of whisper rap on the verses, planting some melancholy that really sprouts come the return to the hook. Listen above.

New Chelmico: “OK, Cheers!”

After a few years kicking around on independent labels, duo Chelmico have arrived on a major label. It’s a logical step up for a group who have done as good a job merging pop with rap over the last few years, and new album Power out August 8 comes at a time when a lot of labels in Japan are trying to make “kawaii women rappers” a thing. “OK,Cheers!” capitalizes on what has made Chelmico a standout act over the last few years, finding the pair tagging in and out over a brassy backing track nodding to their lineage in this J-hip-pop lane. Besides being a reminder of how vital timing can be for an artist’s career — the difference between this song and Lyrical School’s most recent material isn’t that vast, but only one got stuck with the idol tag early on in their career — it shows how energy can go a long way, and the right way to find that sweet spot in the middle is to make sure to always have everything moving at a speedy pace. Listen above.