Digi Maw: KOHH’s “I Don’t Work (IA Version)”

I don’t know why the fuck this exists, but god bless whoever gave it the greenlight. Looks like it was first made back in December…produced by TeddyLoid…for a phone app. Well, sure, but this is the real arrival…

KOHH, far and away the most well known rapper in Japan and abroad at the moment, shared his song “I Don’t Work” a few months ago via brain-melting web page, and it is…a KOHH song. While I get dude’s significance — and believe there are far more forgettable rappers in Japan — most of what he’s released hasn’t really clicked with me. If I wanted to listen to someone trying to replicate Atlanta hip-hop…I think I’d just listen to Atlanta hip-hop. I think it would be good for him if he tried stretching out a bit.

KOHH, for me, has a lot in common with Vocaloid, the singing-synthesizer software that birthed a whole genre of music in Japan. While this instrument has produced some interesting pop and otherwise, the bulk of it is simply bedroom artists creating boring rock music with Hatsune Miku. If I wanted to listen to boring J-Rock I’d…well, I wouldn’t. I wish more producers would stretch it out a bit.

Enter “I Don’t Work (IA Version),” KOHH’s single rendered into digital bat shittery by the vocal pack/ avatar IA. Maybe it is KOHH revealing his Niconico obsession, maybe he’s an irony boy — either way, this is such an interesting and strange thing, the straightforward voice of IA rapping (kinda) over what sounds like the underground music from Mario Brothers. What strikes me about this is…it is one of the most outfield uses of Vocaloid in recent memory, offering a different approach to rapping than, like, this. For a digital tool that still feels vastly under explored, “I Don’t Work” shows an actual bit of daring, resulting in something that really grabs your attention, even if you ignore the dabbing cartoons. Listen above.

Similar Posts

  • Q: Are We Not Men? A: We Are Perfume!

    Unlike most American “future pop” though, which relies on minimalism coupled with the occasional satellite radio shout-out, Hiroshima electro-pop trio Perfume go full cyborg and spare no artificial flourishes. The music this J-Pop group (or, more accurately, noted J-Pop producer Yasutaka Nakata) creates sounds completely robotic, all traces of humanity buried under layers of drum…

  • New Moscow Club: “Lizaveta”

    新曲“Lizaveta”を説明するにあたり、Moscow Clubは“Well, it is April”と説明しています。この東京のバンドは彼らを形容する2つのジャンルを上手く融合させる事に成功したようです。このバンドを2012に聴き始めた人はきっと明るめのシンセ・ポップのイメージが強いはず。C86 コンピレーション収録曲とBradbury EPでは多くのシンセが使われていますが、それを除けば純粋なインディ・ポップ。ギターとドラムのみでアップビートかつメランコリックな曲を書いていた事もありました。“Lizaveta”はキラキラした星屑のようなシンセで幕を開けますが、Daisy Miller EPに収録されていてもおかしくないような曲へと展開していきます。Moscow Clubはシンプルなバンド構成をシンセによって上手く味付けできるようになったと感じます。加えて、南国風のパーカッションが心地良いです!視聴は以下から。