New Daoko And Yasutaka Nakata: “Bokura No Network”

Wherein two artists having very strange 2018’s come together. Daoko fronted the biggest song of 2017, bursting onto a huge stage all of a sudden. The downside of that — and especially of said arrival being a ballad not really representing how you’ve sounded up until that point — is it becomes really tough to follow it all up. And so Daoko has tried out all sorts of things since “Uchiage Hanabi,” some hitting and some missing. Overall, she’s doing well — got that Kohaku nod this year — but still is exploring.

Yasutaka Nakata, meanwhile…well, he’s been all over the place this year too, trying out new things for himself, for Perfume, and for Kyary Pamyu Pamyu. I’d argue the last thing he needs right now is more music work, but now he’s teamed up with Daoko for “Bokura No Network.” And as an update on where both acts are at in their career, it doesn’t make much clearer. Nakata provides a pastiche of what he’s done with Kyary, Capsule and Perfume via the blend of twinkly playroom details and crushing electro-pop elements. Daoko ends up sounding…kind of like she’s making a Perfume song, especially come the digi-glazed hook. In terms of offering a clear path either is going on, it doesn’t add much.

But it is a decently catchy number, and one that does place Daoko in new sonic backdrops, wherein she bounces over it fine. She’s become a J-pop chameleon, and here’s another backdrop for her to do her thing against. But really, people longing for older Nakata should probably be happiest. This is a throwback to a bunch of his styles all at once, the end mix being both familiar and new. Not a road forward, but something with a bit of nostalgic charm to it. Listen above.

Similar Posts

  • New Amunoa: “Smmr”

    Producer Amunoa excels at turning small moments into anthems. “Smmr” is poised as, well, a summer jam from the frantic artist, featuring a warm disco vibe and some sweltering synth work. The real hook of “Smmr” is the vocal snippet rippling throughout — it sounds like it was recorded through a talk box, but rather…

  • JAM The MOD: “Since Tomorrow”

    インディ・ポップ・レーベルAno(t)raksが2月に新しいコンピレーション・アルバムをリリースします。既にいくつかの参加アーティストが発表されていて、このコンピが本当に素晴らしい物になると期待させてくれます。Post Modern Team、BoyishやThe Paellas等、お馴染みのアーティスト達に加え、JAM The MODという福岡のバンド等、新しい名前もいくつか。跳ねるギターやため息をつきたくなる歌詞からなる典型的な日本のインディ・ポップを想像していませんか?…とは言うものの、恥ずかしながら私も同じでした。そんな雰囲気を仮定しながら再生ボタンをクリックしたのはここだけの話。 今の所このグループはSoundCloudで”Since Tomorrow”だけしかリリースしていないのですが、これが凄く個性的。フォーキーなインディ・ポップが2007年あたりのダブステップ・リズムに乗っかってる独特なスタイルなんです。なんと言ってもこのビート感が他のTweeなアーティスト達との違いで、暖かく優しいメロディーが特徴的な曲に冷たい緊迫感を与えています。ただ単にジャンルをくっ付けるのは誰にだってできる事。でもJAM The MODは上手く異なる要素を組み合わせる事に成功していて、だからこそ注目すべきなのです。日本のインディ・ポップ・アーティスト達にとっても良いヒントになるのでは?JAM The MODのこれからが気になります…はたしてコンピにはどんな曲を提供するのか…いずれにせよ、これからもどんどん新しい事にチャレンジして欲しいです。試聴は以下から。