The Trekkie Trax gang have been keeping busy, and thankfully they made sure “releasing new songs onto SoundCloud” remained one of the collective’s mission. Seimei & Taimei’s “Orion” is a fizzy dance track, one that swerves through several high-energy passages, but is always lithe. Listen below.
Perhaps because I was trying to ignore anything having to do with SOPHIE’s recent set of shows in Japan over the past weekend — because I would have gone but I had a prior engagement the day after and I’m now too old a human to stay out all night AND function properly afterwards —…
Tokyo-based producer Rigly Chang last popped up on the split compilation between Fukuoka imprint Yesterday Once More and the capital’s Cosmopolyphonic (Chang reps for the latter), but he’s back a few days into 2016 with the glistening strut of “I Can’t Let U Down.” It flows forward via bass snaps and twinkling synth splashes, anchored…
When talking about Friends, it’s usually easiest to say something about how this Tokyo-based group takes lots of cues from surf rock. I’ve done it countless times…see The Japan Times today…but the funny thing is Friends don’t just worship at the temple of Brian Wilson. They’ve covered The Suicide Machines before, and they’ve professed a…
Yoshimi doesn’t see Tokyo in a positive or negative light — the producer just hears the city beat. Atavism is the follow-up to last year’s pulverizing Tokyo Restricted Area, a set gazing back on the capital’s ancient past — and summoning traditional Japanese instruments and singing styles — while also placing it into its claustrophobic…
First order of business, you might notice the blog looks a little different today. That’s because we have just launched a new redesign (a little early…even to the author) and we have a lot of exciting new developments coming in the near future. So yeah, feel free to poke around and let us know about…
Osaka-based producer Erik Luebs moves into darker territory with “Red C,” the first song from forthcoming release Wasteland. It’s a constricting number, new layers emerging gradually as “Red C’ moves from minimal to something completely enclosing, every available space seemingly taken up as the song enters its final phase. The percussion is the best detail,…