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Dial-Up Jams: ksd6700’s inDaMuzique

Sometimes, you can’t beat the descriptions that come alongside the music. inDaMuzique gets described as “two house / techno chiba slammers” and man that’s just beautiful, all while nailing the feeling that these two new tracks from producer ksd6700. There’s no big-city slickness here, just a pair of ravers meant for maximum release, loaded up with synths and surging bass (and, on the pogoing title track, some lovely vocal samples that help add extra feels to the whole thing) meant to get folks moving. Get it here, or listen below.

New Breezesquad: Fantasma

Chiptune is, for me, one of those styles that presents a particular tightrope when it comes to writing about it. That’s because I’m drawn to artists using 8-bit sounds in an interesting way and…see, there it is! “Interesting ways,” as if lots of methods aren’t just that. But even though I know this can teeter on the dismissive, I ultimately find the stuff rising above easy nostalgia and trying something different — even if it still hits those familiar fuzzy feelings — really noteworthy.

Breezesquad has long ticked those boxes, releasing chiptune going off in all kinds of directions and always open to exploring new terrain. Fantasma is a step further for the Fukuoka producer, from the use of space and tension on opener “Maboroshi” to the rave-up of “Legit Fun.” Running through this is an interest in traditional Japanese music, putting it in a similar zone as Omodaka, but Breezesquad doesn’t just lean in on that, exploring chugging tempos (“Sell Yr Phone”) and floor-eyeing release (“Muéstrame”). Get it here, or listen below.

New X-Files: Spam 2017-2018

Maybe X-Files spam is hiding a lot of good material. Spam 2017-2018 implies these are leftovers from the low-key noise maker, but these tracks are among the best they have ever made. It really gets going with “Midlife,” which introduces thundering drums to X-Files’ needly synth bursts, making for a particularly intense listen. “MetalCom” appropriates elements of metal music (and, uh, Pink Lady?) to create a whirlwind of sound, while “Phantasm” creeps along, offering pure unsettling atmosphere. And there are plenty of slow-burning passages of tension rounding out this collection, highlighted by 11-minute-plus finale “Xanadu.” Get it here, or listen below.

New Young Agings: Before I Go

Given how common this beach-adjacent sound has become in recent years, it is…weird (?) hearing Before I Go and being transported back to the first half of the decade. This is basically a Teen Runnings album, maybe a little less fuzzy (well, save for inclusions like “Unconsciousness” which go big on feedback) around the edges but containing the same driving tempos and ennui that populate that group’s music. See the giddy rush of “My Universe” or the slightly slower chug of “Remember Me” — this is right in line with that other group, and every bit as sticky. And still miles better than a lot of outfits that arrived later. Get it here, or listen below.

New Pavilion Xool Featuring Levi Watson: “Day God”

Pavilion Xool always works better with others, and this collaboration with Atlanta (but based in Tokyo, if SoundCloud is to be believed) rapper Levi Watson introduces a new path for the producer to go. Coming from imprint Yaoya in their continued effort to introduce younger artists to the world at large. Pavilion Xool’s beat is a nice mix between glassy synth play — actually bringing to mind ’80s ambient, at least in very broad ways — and disorienting passages that twist everything around. Watson fits in nicely among both sides, bouncing between all sides to create a nice vocal back and forth. Listen above.