Strange Housekeeping: I Don’t Wanna Die In Here

Oftentimes, bedroom recordings carry a sweet, dreamy quality to them, possibly because being in a confined place (like a bedroom) forces one to imagine there ideal world. Even dark home recorded stuff — in Japan, that would probably be CUZ ME PAIN, or at least what they were up to a few years ago — carries a sense of escape into someplace new. The most negative it tends to get is a clear sense of longing for something else pops up. But even that feeling carries hope that something better can be reached.

I Don’t Wanna Die in Here is not one of those bedroom recording projects. It takes a slight leap of faith — all I have to go off of here is a Bandcamp page and an author-added note that whatever this is is based in Sagamihara — but whatever this is, it is cloistering, weird and deeply charming. The name immediately dispels any notions of romantic bedroom producer-dom, because the “here” seems to refer to whatever apartment complex nook or broom closet these four songs were recorded in. It sounds extremely cheap and at times goofy…second song “Stop Fight” is a bouncy number playing out an argument (in English) featuring lines like “suck it up/you piece of shit/I know exactly what you did.” The next song is a suffocating song about abandonment where one of the singers gets right next to the mic.

It’s strange, put I Don’t Wanna Die In Here also have a knack for off-kilter pop, approaching the days when Ariel Pink used to record his body noises in a closet. Every song leaves a hooky imprint, but opener “Haunted By Other Force,” with its digi-horn blurts and Casio beat stands out the most, because wrapped up in all of that is a sweet, tough to make out vocal line. Whatever this album’s deal is, it sticks with you in a way most bedroom pop doesn’t. Get it here, or listen below.

Similar Posts

  • New Rima Kato: “Life Is Warm”

    Japanese singer-songwriter Rima Kato’s new album, Faintly Lit, is out now in Japan (and will be out internationally in February…hold tight) and here’s one of the choicest cuts from it. “Life Is Warm” is mostly a sleepy, kid’s xylophone accented number that seems sweet enough, but features Kato interjecting moments of longing…delivered in direct voice…

  • Glory Days: i-fls Residential Town Loneliness

    二年前、私が大都市東京ではなく三重県の山奥に住んでいた頃、アメリカから旅行で来ていた友達を人口80,000人くらいの街にある我が家へと招きました。その前には一週間程東京で過ごしていたのですが、この田舎では騒音も無く、お店も少なく。暇な時でも、スーパーに行くくらいしかやる事はありませんでした。そんなある日、友人は言いました。 「ここはミシガン州のフリントみたいだね。」 前に住んでいた場所の悪口を言うつもりはありませんが、確かに大きな世界から疎外されたような、小さい電車やマクドナルドくらいしかない場所でした。そのようなさみしい街の世界観をi-flsがニューアルバムResidential Town Lonelinessで表現しています。アメリカのレーベルZoom Lensから発表されたこの作品では、“Monorail”、“Used Bookstore Chains”、“After School”や “Local Line At Twilight”等、場所を連想させるタイトルの曲が並びます。シンセサイザーとビートのみで構成されていて、とても心地の良いサウンドが特徴的なのですが、i-flsの魅力はそれだけでは留まりません。高校生時代に感じる孤独感のような物をわかりやすく、ノスタルジックに描いています。小さい街をベースにしたこの物語は万国共通なのではないでしょうか。多くの人が共感出来るはずです。Residential Town Lonelinessでのi-flsはLullatoneとも共通点があります。Lullatoneもシンプルで感情的な音楽をやっているのですが、このデュオは幼少期のノスタルジアを思い起こさせる楽曲が特徴的で、i-flsはどっちかというと学生時代ですね。小さな街のもつ寂しさを美しく表現した、素晴らしい作品ですよ。