The Warmest Hug: Taquwami’s “Dawnz”

One of the most interesting points about chillwave lost in the race to post new tunes to blogs is the idea of it being “recession music,” how the still-massive financial crisis coupled with all sorts of other bad stuff caused 20-something musicians to turn to bedroom-recording. That narrative often seems lost in 2011, replaced by leads about artists originally associated with that sub-genre shifting styles…see the new Washed Out, Neon Indian, that Toro Y Moi album. It’s an easy hook for an article or review…look, they sound different now!…but also not nearly as interesting as that original idea, of how these troubled times…and things certainly do feel just as bleak now…shaped this.

Tokyo’s Taquwami recently released a song called “Dawnz” that seems very simple – synths wrapping around one another, a beat, a little guitar and keyboard and non-sensical vocals. Far from complicated stuff. Yet Taquwami’s simplicity ends up being a major positive, the glowing forwardness of “Dawnz” feeling like a particularly needed embrace as one’s Twitter feed fills up with people bemoaning the seventh-billion person entering the world. It carries touches of what made Washed Out’s “Feel It All Around” so appealing – a computer-created warmth that felt great to be enveloped by – but ultimately embraces the simplicity that has also made records like Real Estate’s Days and Ranger’s Pan Am Stories stand out. Really, this song just sounds uncomplicated and welcome. Listen below.

[soundcloud url=”http://api.soundcloud.com/tracks/27228781″]

Dude also records under the name Occult You, a bit more of a abrasive/dance-centric project, and that effort posted a new song while I was writing this up so I thought “hey, why not include that as well!” Listen to “X” below.

[soundcloud url=”http://api.soundcloud.com/tracks/27313811″]

Similar Posts

  • New (Kinda) Oomori Seiko Featuring Sayumi Michishige: “Zettai Kanojo”

    Videos that basically pause in the middle to air a commercial or other kind of brand-building content are, almost always, obnoxious. But damn, is the middle stretch of this upload essential. This isn’t the first time Oomori Seiko has crossed paths with the world of Morning Musume, and she’s collaborated with former leader of said…

  • YULO: “Yes”

    Plenty of bands all over Japan try to mimic the Brit-rock sound that dominated the entirety of the Oughts and still sorta do. It’s a very vague style, probably best summed up as “trying to sound like that first Bloc Party album” featuring mainly guitars, though a few brave souls dragged synths into the mix…

  • New Homecomings: “Play Yard Symphony”

    Kyoto’s Homecomings have excelled at turning the heartbreaks of daily life into big musical fireworks over their last two albums, and through two major-label releases have subtly expanded on this mid-tempo approach. There’s nothing wrong with an artist choosing to explore consistency over radical artistic swings, and for the most part you know what to…

  • New OKLobby: Resort

    去年の末にOKLobbyが東京のベッドルーム・ミュージック・シーンに登場したとき、この若きアーティストが何をやっているのか、不思議に思っていました。でもプロジェクトの名前やデビューEPのタイトルResortworksからは、他のベッドルームアーティストと同じくVaporwaveの影響を受けて入れているんじゃないかというヒントが感じ取れます。取り入れた明確な影響は除き、音楽性からは隠れた皮肉などは感じられないのですが、むしろ同じ東京のアーティストTaquwamiに近い世界観です。でもOKLobbyが今年に入ってからリリースしたResortは、Resortworksで試んだ斬新なアイディアがより明確に伝わる作品に。Taquwamiと関西のSeihoからの影響がこの11曲のなかで多く見え隠れするのですが…OKLobbyは単純にインスパイアされただけのアーティストではありません。オープナーの“Brainwash”に使われているスローにされたボーカルサンプルは、限りなくフットワークに近い特有なビートに完璧にマッチしていて、それにシンセが上手く絡まっています。Resortworksに収録されていた3曲を除いては全てがとてもカラフルです。そんな中でもハイライトは”Animation”。アップテンポなトラックには他のアーティストもよくやるようにボーカルサンプルが散りばめられているのですが、そのポップさが魅力的。子供番組の音楽みたいになりがちですが、この”Animation”からは深みを感じる事が出来るので是非聴いてみて下さい。アルバムのダウンロードはこちらから。