我々の”favorite songs of 2012 lists”のような年末特集を組むのは非常に難しいです。限られた数を選ばなければいけないので、結果選べないアーティストもいるからです。去年でいうと”My Aquamarine/Spinning Wheel”をリリースしたElen Never Sleeps。このシングルは素晴らしい曲を2つも収録した、ENSがアーティストとして急成長した作品です。そして2013年を迎え”Silver”をリリースしたENSは、今年もさらに彼らしさを発揮させています。新曲”Shine On Me”は去年の”My Aquamarine”を彷彿とさせるものの、ビートがENSの今までの曲の中で一番ダンサブル。コーラスの部分では、風変わりなボーカルやストリングスを始め、さまざまな音色が飛び交っているものの、互いを殺しません。こういった細かいこだわりが光ります。
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured two great songs and marked a jump forward artistically for Elen. It’s looking like ENS won’t be facing a similar dilemma in 2013, as he’s just released two tracks in advance of his new Silver EP, and both find the solo artist making further artistic strides. “Shine On Me” initially resembles last year’s “My Aquamarine,” but features a livelier beat that is the closest ENS has ever come to being dancey. The real development, though, is greater attention paid to sonic details – the most catching element of “Shine” is the almost-meowed noises that make up the chorus, but equally as strong are the strings that rise up throughout the song.
The title track from the EP, meanwhile, is more reflective, but features ENS adopting a slightly deeper voice for most of the song. It’s the less daring of the two tracks, but refines the Elen Never Sleeps sound further. Listen below.
You have to make time for this one. Music For Dorothy is a collaboration between South Korean artist Sima Kim and Fukuoka’s American Green, and it is a collection in no rush to get anywhere. Three songs here go over the seven-minute mark, and even the shorter ones still unfold slowly, content to let synths…
YMCK, like fellow Japanese artists Omodaka and the older material of 99 Letters, pulls off a rare thing – being able to make music based primarily around 8-bit sounds and turning it into something beyond novelty. “Sesetsu Shite Usetsu Shite” could be goofy novelty in the hands of someone more interested in playing Mega Man…
We spent last week yacking about all the great music we overlooked throughout 2012…and, in the process, missed out on a lot of great new tunes that popped up during those critical five days. Ironic! The rest of the year here at Make Believe Melodies will be spent talking about the best music of the…
Part of the thrill of listening to Japanese juke producer Picnic Women’s music is the moment you realize, “holy shit, it’s that song!” Yet this isn’t like when you listened to Girl Talk as a freshman in your dorm, freaking out because Neutral Milk Hotel and Juelz Santana finally came together on a song. Nope,…
We (basically) just put a bow on 2013, and now a slew of albums appear online that are already jostling for 2014 list positioning. Geez, I was gonna take a vacation now, can’t do that. Osaka’s Metome is the latest artist to drop a new album at the very end of the year, and this…
At long, long last, Nagoya’s POP-OFFICE have released a full-length album…just in time for list-making season. I’ve yet to actually get a copy of Portraits In Sea – curse you long work day! oh, how I rue you monthly bills! – but this outfit has released so much stellar music over the last few years…