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Category Archives: Music

New CHAI: “Great Job”

In case you missed it, CHAI were profiled in Pitchfork a couple weeks back, capping off a year that has seen them slowly but surely make inroads outside Japan (hey, I wrote about ’em too!). They really show the way forward for Japanese acts in a post-BTS world — along with Haru Nemuri, they point towards a path where it’s artists with more underground tendencies (regardless if they are underground…CHAI is a Sony act, after all) can stand out from Japan, which can offer an alternative to the authenticity-tinged perfection of K-pop (mainly, J-pop itself probably can’t go head to head).

So! “Great Job” is CHAI’s first new song in a bit, and it is…on brand for the quartet. It’s a bit sneakier message-wise to decode — it is about housecleaning, with lines about cleaning dust and taking out garbage. At times it sounds sort of determined, but then again you get a part where they sing “housework, it’s a great job” and then let out an evil laugh. More direct is how this is right in the band’s wheelhouse, featuring all sorts of distorted voices in the back, which creep in to disrupt the talk-sing verses. This is left-of-center sounds — specifically, via those keyboard melodies squanking up throughout, of Have A Nice Day! and similar Loft-centric groups — made just a little more accessible to a wider audience. That is the goal, after all. Listen above.

New Satellite Young: “Moment In Slow Motion”

Satellite Young was out in front on providing alternative angles to nostalgic sounds, and have always introduced some sort of wink into their retro-leaning synth-pop. “Moment In Slow Motion,” however, is a simple reminder that for all the app jokes and Twitter nods, Satellite Young can just write a dazzling pop number that doesn’t need any extra tricks to it. “Moment In Slow Motion” opens with machine percussion and a killer bass line, soon joined by sparkling synth melodies that give the song a familiar neon glow, but with a little more strut this time around. Over it all, the vocals are split up between an English and Japanese side, and while there is a reference to “screens,” the words here are purely on capturing feeling, something bittersweet and fleeting. Get it here, or listen below.

New Metome: Turquoise

If Dialect is one final glance back at a past quickly dissolving away, Turquoise is the first step forward into the unknown. Metome’s first release following that stunner opens with pure unnerving voices looping on “Teeth,” but that’s just scene setting for “Turquoise” itself. Metome moves closer to straight-up ambient music with this one, with only slight percussion breaking through the synthesizer pulsing shrouding the whole song. It’s about loud vs. quite, peace turned tense by sudden rises in noise, and no clear end destination. Excited to see where it goes. Get it here, or listen below.

Main Course: DJ Pigeon’s Emotion

Keeping it simple can really pay dividends. The second release from Fruit Parlor Records comes via DJ Pigeon, a producer dabbling in what could be described as lo-fi house, if that genre works for you. However you want to see that, Emotion offers up three original tracks built around vocal samples, all of them slightly faded and set against rollicking house rhythms. The first two — the title track and “Sun Mo” — shuffle on for over seven minutes each, both making the most of repeated phrases (“Sun Mo” working in various snippets of dialogue, though all building towards one particular ear worm sentence) and subtly mutating them along the way. Yet DJ Pigeon locates the pleasure in this sparse set of tools, and all three songs turn simplicity into bliss by zoning in on the best parts. Get it here, or listen below.