我々の”favorite songs of 2012 lists”のような年末特集を組むのは非常に難しいです。限られた数を選ばなければいけないので、結果選べないアーティストもいるからです。去年でいうと”My Aquamarine/Spinning Wheel”をリリースしたElen Never Sleeps。このシングルは素晴らしい曲を2つも収録した、ENSがアーティストとして急成長した作品です。そして2013年を迎え”Silver”をリリースしたENSは、今年もさらに彼らしさを発揮させています。新曲”Shine On Me”は去年の”My Aquamarine”を彷彿とさせるものの、ビートがENSの今までの曲の中で一番ダンサブル。コーラスの部分では、風変わりなボーカルやストリングスを始め、さまざまな音色が飛び交っているものの、互いを殺しません。こういった細かいこだわりが光ります。
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured two great songs and marked a jump forward artistically for Elen. It’s looking like ENS won’t be facing a similar dilemma in 2013, as he’s just released two tracks in advance of his new Silver EP, and both find the solo artist making further artistic strides. “Shine On Me” initially resembles last year’s “My Aquamarine,” but features a livelier beat that is the closest ENS has ever come to being dancey. The real development, though, is greater attention paid to sonic details – the most catching element of “Shine” is the almost-meowed noises that make up the chorus, but equally as strong are the strings that rise up throughout the song.
The title track from the EP, meanwhile, is more reflective, but features ENS adopting a slightly deeper voice for most of the song. It’s the less daring of the two tracks, but refines the Elen Never Sleeps sound further. Listen below.
Tokyo producer Taquwami just uploaded a new track to the Internet, which means I must accept not going to bed early to post it. I’m OK with this. “T Eyes” features the same vocal-chopping technique that dotted last year’s great Blurrywonder, but whereas that album especially emphasized the skittering, here the chopped singing is balanced…
Is it an ode to times that have passed, or a celebration of a period in one’s life that will soon be history? The beauty of “Younger Life” is it leaves that a little bit open-ended…it could be a memory or it could be in the moment, but Ykiki Beat’s strutty number about the joys…
This has been tagged post-rock, and at first I was ready to skip this one over completely. “Man, post-rock, I don’t have time for that,” I thought, expecting some stab at Explosions In The Sky grandiosity. Turns out The Wedding Mistakes have a very, very different definition of post-rock than me. This collaboration, between Miii…
For Tracy Hydeについて初めて知ったのは、BOYISHと共にスプリットEPを出した時。その軽快なギター・ポップは、もし今が80年代ならば、Sarah Recordsが大きく取り上げていた事でしょう。For Tracy Hydeの今までの作品は、他の日本インディーポップアーティストと似た音楽性を持ちつつも、日本語で歌う事で、WallflowerともBOYISHとも異なる響きを鳴らしていました。彼等のデビューEP、”Juniper And Lamplight“は、”A Clockwork Lemon”で聴けるような、陽気で明るい雰囲気に満ちています。”First Regrets”ではシューゲイザーからの影響も。 今回の作品では更に他と差をつけるべく、インディー・ポップらしかぬ曲も。”Shady Lane Sherbert”なんかでは大胆不敵にもギターが取り除かれていて、代わりにシンセが鳴り響いています。チルウェイブの影響を取り入れ、上手く再構築されています。ふわふわしたボーカルとゆったりとしたテンポから繰り出される独特な空気感は、”Juniper And Lamplight”以外からは聴けないでしょう。最後の曲、”₀oOℑ ∪╹ω╹∪ℜ (Delikate Dawgz)”では、うねる電子音の上にボーカル・サンプルが浮いているかのごとく配置されていて、更に衝撃的。奇妙なエンディングですが、For Tracy Hydeが次にどんな挑戦をするのか、とても興味をそそられます。ダウンロードはこちらから、視聴は以下から。 Juniper And Lamplight by For Tracy Hyde
I wouldn’t go as far as to say Kai Takahashi’s remix of French outfit Phoenix’s “Entertainment” is better than the original…but it is definitely more consistently good. What bugs me about the Phoenix cut is how the hook just sort of hangs in the air, the driving energy of the verses gone in favor of…
After a triumphant year that saw her release one of the year’s absolute stunners, May.e has decided to end the year by releasing a second full-length album called Shiseikatsu for free online. It, seemingly, is built in very much the same style as her debut Mattiola. She plays an acoustic guitar and sings. Her voice…