我々の”favorite songs of 2012 lists”のような年末特集を組むのは非常に難しいです。限られた数を選ばなければいけないので、結果選べないアーティストもいるからです。去年でいうと”My Aquamarine/Spinning Wheel”をリリースしたElen Never Sleeps。このシングルは素晴らしい曲を2つも収録した、ENSがアーティストとして急成長した作品です。そして2013年を迎え”Silver”をリリースしたENSは、今年もさらに彼らしさを発揮させています。新曲”Shine On Me”は去年の”My Aquamarine”を彷彿とさせるものの、ビートがENSの今までの曲の中で一番ダンサブル。コーラスの部分では、風変わりなボーカルやストリングスを始め、さまざまな音色が飛び交っているものの、互いを殺しません。こういった細かいこだわりが光ります。
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured two great songs and marked a jump forward artistically for Elen. It’s looking like ENS won’t be facing a similar dilemma in 2013, as he’s just released two tracks in advance of his new Silver EP, and both find the solo artist making further artistic strides. “Shine On Me” initially resembles last year’s “My Aquamarine,” but features a livelier beat that is the closest ENS has ever come to being dancey. The real development, though, is greater attention paid to sonic details – the most catching element of “Shine” is the almost-meowed noises that make up the chorus, but equally as strong are the strings that rise up throughout the song.
The title track from the EP, meanwhile, is more reflective, but features ENS adopting a slightly deeper voice for most of the song. It’s the less daring of the two tracks, but refines the Elen Never Sleeps sound further. Listen below.
Ykiki Beat includes members of Timothy Work and DYGL, two Tokyo projects who have produced some solid works in the past year. Yet I gotta know, how did Ykiki Beat end up with the best track any of the lot have presented so far? “Garden” is the sort of song that gets a band a…
still sound isn’t shy about his influences – the name gives away his interest in Toro Y Moi before you even read the SoundCloud bio that calls Chaz Bundick his “bro.” It’s the project of a 17-year-old high-school student named James who lives in Naha on Okinawa – “well, like an hour north” he tells…
Time for the Music Alliance Pact! This is 2013’s last installment of MAP, where more than 30 blogs from all over the world share one song with everyone else. This month, Make Believe Melodies highlights Coffee And TV’s Prefab-Sprout-sample-boasting “Guess What? Summer’s Arrived.” Listen to it and a lot more below! Click the play button…
東京のプロデューサーOKLobbyの作品にはよく、”リゾート”っていうキーワードがでてきますね。かれのデビューEPのタイトルも”Resortworks“でしたし、収録曲からは”Mind Resort Scidaria”というタイトルも見受けられます。バンド名に含まれる”Lobby”という単語は、2012頃から存在したシティ・ポップやvaporwaveを連想させますが、どうやら違う模様。むしろ、同じ東京のプロデューサーTaquwamiがここ最近手がけている音に近く、Resortworksの三曲からは猛烈な打ち込みドラムと切り刻まれたボーカルのサンプルが聴こえます。TaquwamiのBlurrywonderは、不鮮明でもやもやしたサウンドが渦巻き、それが作品の魅力なのですが、OKLobbyはというと、もっと鮮明で、クリアなサウンドが印象的です。”Mind Resort Scidaria”なんかでは子供達の声や、アラビア風の歌唱みたいなものが、シンセサイザーの土台の上で歌っています。”Fireworks”ではエフェクトがかけられたボーカルがフィーチャーされているものの、複雑になっていく曲の後半までは、とても鮮麗されています。 Resortworks E.P. by OKLobby 上で紹介した曲以外にも”Life Is A Short Life” という曲があって、これはまだ数少ないリリースの中でも最高にチルド・アウトしています。視聴は以下から。
After a triumphant year that saw her release one of the year’s absolute stunners, May.e has decided to end the year by releasing a second full-length album called Shiseikatsu for free online. It, seemingly, is built in very much the same style as her debut Mattiola. She plays an acoustic guitar and sings. Her voice…
Might want to give this one some time – producer Pa’s Lam System’s new album Virus Window went up on the Maltine Records’ site a little while ago, and everything seems to have crashed thanks to demand for it. I can’t even download it at the moment! But we do this album features his club-thumping…