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Yukiyanagi Provides Energy With Bright Green

This week has started off sluggishly (well, for me anyway), so an injection of energy is more than welcome. Thankfully, this past weekend saw the Spring 2018 edition of the M3 event happen, which means a lot of internet-centric artists created new albums and compilations for the gathering…most of which are on the up-tempo side of things. The early standout from the releases available online comes from Yukiyanagi, which features pulsing dance tracks from the titular project along with a handful of other producers. The title track zooms out of the gate, backed by speedy synthesizer bursts and sliced-up vocal samples, while Riku’s “Heartbeat” goes full-on emotional rave. Also worth highlighting is Kotonohouse’s “Monochrome,” which features some lovely woodwind touches that give way to rumbling bass lines. Get it here, or listen below.

New Cero: “Sakana No Hone Tori No Hane”

What happens when you set a movement in motion, but end up not getting the most of it? Tokyo’s cero ushered in the current wave of laid-back, city-centric rock music thanks to “Summer Soul,” a song so potent it got them on SMAP X SMAP. But a bunch of other bands have passed them in that time in terms of mainstream attention — Suchmos is probably the biggest, but the fact Yogee New Waves or Lucky Tapes have been able to wrangle the spotlight since Obscure Ride came out is sort of shocking, given how forgettable the songs from those outfits have been largely been. Yet still, they’ve benefitted…while cero have just been waiting in the wings. Maybe that’s just how it goes for pioneers of certain movements.

But now here they come with “Sakana No Hone Tori No Hane.” And it’s a reminder that cero are far more experimental than other groups dabbling in city-centric cool. This song features a laid-back vibe, but one punctuated by sudden tempo shifts and the feeling that the whole song could collapse in on itself at any second. It’s this sense of impending collapse that gives the song an edge not found in most other mainstream Japanese rock songs treading similar ground. It’s great to see them going this way…here’s hoping the mainstream comes along once again. Listen above.

Simple And Right: The Vegetablets’ The Vegetablets

In one of those weird bits of timing, I had a chance to write about a song from The Vegetablets new compilation album for Pitchfork around the same time I was planning on putting up a post about it here. I’d recommend checking out that track review here, as it touches on most of the big-picture themes surrounding this Aichi-area duo (and focuses on probably the wackiest number included in that set). The rest of the album isn’t quite as loose-limbed as that one song, with the pair penning more familiar indie-pop fare throughout. But they add a sense of freedom and silliness to almost every song here, letting the edges get a little rough in a way that feels fitting for the genre they are focused on. Get it here, or listen below.

Brinq Teams Up With Antenna Girl For “Lonely Lonely Blue”

It’s a match made in peppy pop heaven. Brinq and Antenna Girl have both made springy, at-times busy dance-pop over the last couple of years, so seeing the two collaborate on an EP together isn’t too surprising, though it’s also plenty welcome. “Lonely Lonely Blue” offers the first taste of the forthcoming Sayonara EP, and it’s appropriately high-energy. Brinq handles the music, crafting a swift and bouncy electronic backdrop that constantly finds a way to up its own drama — just check the little twinkles in the back. Antenna Girl, meanwhile, handles singing, and holds her own over the quick track (and, in a moment where both artists collide, her voice does get turned into a digital hiccup that ups the energy even more). Listen above.

New Fellsius: Daily Housework

One of Trekkie Trax’s strongest attributes is the sheer variety of electronic music they’ve shared with the world. Fellsius’ Daily Housework is a nice reminder of that, finding the young producer creating a pretty reverent set of house tracks (the title being a nice wink) leaning on the heavier side of the genre, complete with throaty vocals overlaid. It’s an energetic affair and one that works best as a front-to-back listen. Get it here, or listen below.