Controlled Karaoke: An Open Letter To All Reviewers Writing About The Suzan’s New Album

Dear all reviewers writing about The Suzan’s new album Golden Week For The Poco Poco Beat, How ya doin’? First off, I’m glad you’ve taken the time to review the new album by Japan’s The Suzan out on American label Fool’s Gold. The few tracks I’ve listened to from it sound great and I’m happy…

Counterpoint: Pitchfork’s Review Of Shugo Tokumaru’s Port Entropy With Our Original Review!

Shugo Tokumaru’s Port Entropy recently came out in America and Europe, which means Western media who give him any notice will be reviewing his fifth LP in the coming days/weeks. Pitchfork struck first, with writer Jayson Greene kinda slamming Shugo with a 6.2, as he dropped lines like “prolonged exposure to Tokumaru’s flights of fancy…

Review: Perfume’s “Fushizen na Girl/Natural ni Koishite” Single

One important fact must be addressed when talking about Perfume, whether in discussion of the trio’s music, the group’s commercial ventures or Ayaka Nishiwaki’s hair – every Perfume song generally sounds the same. The pop-outfit aren’t artistically bankrupt so much as they have stuck to a winning template…wall-to-wall electro-sweetness, digitized vocals and an insanely good…

Passive Aggressiveness Is All You Need: Small Color’s In Light

The risk critics run by penning a negative review of a relatively unknown group is that said pan will actually spur readers to seek out the music. Such is the case with Japanzine’s review of Yokohama duo Small Color’s In Light (which is only available through the PDF of the issue, go here to check…