Nu Clear Classmate EP Lick The Star is out now, and possibly to celebrate this two remixes of tracks off that album are available online. Good On The Dancefloor pals White Scooper tackle “Causeless Pain” and spoon out the darkness of the original. In it’s place…something resembling minimal techno which casts the once paranoid track…
AAPS seemed like the most left-field artist in the Good On The Dancefloor fold, but “Imaginary Grace” seems surprising all the same. The band went and made a…dubstep song? Close to one, at least. Opening with creaky synths ala some of the genres more moody artists, the very dubstep beat kicks in soon after and…
Is describing a band’s music as “like The Strokes” still a no-no? Tokyo’s The New House sound a lot like The Strokes, or at least they possess those garage-rock qualities everyone loved back at the start of the decade. Heck, one of their tracks (“Social Evils and a Potato (Hamon Mix)”) sounds like it might…
Presenting Good On The Dancefloor’s star player, mostly because this band comes close to fulfilling the collective’s name. White Scooper join in the enjoyable trend of “bands making ’80s sounding music but not in a cheap nostalgic way” (led by Cut Copy, and featuring acts like Awesome New Republic and Delorean), pumping out new wave…
Our look at the Good On The Dancefloor collective marches on today with the slipperiest in regards to genre labeling, AAPS. The only constant running through the three tracks up on their MySpace is “noisy.” “To Pieces” takes a modern rock guitar riff and submerges it in distortion to give it a much more sinister…