New i-fls: Wished Nightmare

One of the reasons Tokyo’s mysterious i-fls has become one of the most intriguing music makers of the year thus far is his ability to stick to a sound – in his case, Garageband-crafted melodies that usually last no longer than two minutes – and wring out a plethora of emotion from them. The various albums and EPs i-fls has released over the past few months feel like a sonic scrapbook of fleeting memories, the minute details of a day long passed floating through your head during a lunch break.

Wished Nightmare finds i-fls heading into slightly darker territory, hear taking time to show that not all reflections are happy or melancholy…but can also be disconcerting. He’s still constructing sweet little ditties, like the whirring “Fumiko’s New Idea” or the heart-tugging “Asako (From The Passenger’s Seat),” but his latest also features some unnerving moments. Opener “Fuzai” is the most ambitious song here…and also the longest. Built on Morse-code electronics and an atmosphere I can only describe as “horror-movie-esque,” the song drift like fog in a slasher flick, signaling something menacing on the horizon. It is, perhaps, the nightmare in the title. Some of that mist clouds the following track “Absence Notification,” which sounds like a typical i-fls track but with something eschew. And “Sector,” while only lasting 33 seconds, is a strange little interlude. For the most part, Wished Nightmare is another fine entry into i-fls sigh-inducing catalog, but one with a few bad dreams lurking around. Listen below or get it here.

Similar Posts

  • New i-fls: Wasted

    General Overview [Boring, Factual]: i-fls is a producer working out of a suburban commuter community — a “bedtown” — somewhere outside of Tokyo. i-fls creates all of their music using primarily Garageband. Unlike everyone else doing that, i-fls’ music overflows with melancholy, bittersweetness and a nostalgia that isn’t limiting, but like actually trying to remember…

  • New House Of Tapes: “Noise Attack”

    最近ツイッターで、ダンスミュージックに踊る事とセックスする事意外の目的を求めるのはおかしい、みたいな内容の投稿を見ました。でも、全てがそうというわけでは決してないです。名古屋のHouse Of Tapesも勿論違った目的を見いだしていて、彼等の新曲、”Noise Attack” はその名の通りすごく細かいディテールが詰め込まれていて、取っ付きにくさは否めないものの、それを理解するためについつい何回もリピートしてしまう、中毒性のあるトラックです。別の新曲”For Rainbow“はミニマル・ハウスのような、実験性があまり聴けない曲なのですが、”Noise Attack”のインパクトはやっぱり強烈な物があります。テレビのノイズのようなサウンドで始まり、曲を通して大部分にそのノイズがバックグラウンドに存在しています。その次に入ってくるのが良い意味で気持ちの悪いシンセで、ビートがそれに続いて入ってきます。そして、違うリズム感を持つ同系等のシンセが入ってきて、曲のムードが予想以上に不快に展開していきます。決して尖っているわけではなくどこかスムーズで、どことなくギャスパー・ノエの映画のような雰囲気を持ったこの曲は、きっと病み付きになるでしょう。視聴は以下から。