99Letters Has Two New EPs: Rosetta And Turbo Drum

Video game noises are no longer just a novelty, a cheap sonic trick used to evoke a decade long gone. Despite several hard drives worth of shitty chiptune music floating across the Internet in 2013, the last few years has seen 8-bit bloops legitimized, to some degree. Crystal Castles cop moves from the Silent Hill soundtrack and can be really popular. Anamanaguchi can anchor their entire sound on NES cartridges and still make an album that gets them invites to big music festivals. EDM, which includes everyone from Skrillex to DeadMau5 to who knows else, makes heavy use of video game noises AND imagery.

99Letters, out in Osaka, started his career dealing almost exclusively in blips and bloops. He was just way better at it than most, creating crushing compositions that were even more intimidating than anything Crystal Castles could put together. Yet now, it looks like the young producer is shying a bit away from his console-loving beginnings. He has two new EPs…Rosetta, out now, and Turbo Drum, out in September…which find him pushing his sound into more straightforward club sounds. And it sounds good! Rosetta opens with a bit of a plodding title track, but it gets going with the second song “Analog Location.” It’s a song that burbles and glows, a mix of bright synths and more aggressive sounds kept to the side. Even better is “Catch Me,” which revolves around a bit of a shattered vocal sample and at times feels like it is going to dissolve completely.

Turbo Drum, meanwhile, sounds like bone-rattling techno music, bringing to mind 99Letter’s early material, but switched over to something without Game Boy influences. It, more than anything else, signals the potential his new turn has. Get both on iTunes.

Similar Posts

  • Soft As Snow But Warm Inside Break Up, Release Album, One Half Forms New Project Kuroguremore

    The duo Soft As Snow But Warm Inside called it quits over the weekend. The pair, who have been around since July 2012, announced it on a Tumblr blog post. They didn’t release much music during their existence – two EPs and a track via Ano(t)raks – but what they did put out was very…

  • New Elen Never Sleeps: “Slow (Neu)”

    Slowは元々MOSCOW CLUBのC86コンピレーションに収録されていた楽曲でしたが<>今回の再編集を経て(なのでタイトルに新しいを表すNUEとついています)オリジナルよりもクリアーになっています。氷山を彷彿とさせる様な壮大な冷たい空気感のギターとドラムスは彼の歌う歌詞”but you slow down/slow down/slow down,” と重なってゆっくりと流れていきます。オリジナルバージョンも良曲でしたがこのバージョンによってさらに洗練されたと言えると思います。

  • Aimless Bop: Shunsuke Kojima’s Lost Spectacle

    Shunsuke Kojima doesn’t seem like he’s in any rush to get anywhere on Lost Spectacle. Despite starting the album with a clear-cut destination (“Airplane To Tokyo”), he spends the whole time creating instrumental tracks that bounce along, sure, but come off as more interested in exploring bright textures and beats. He really starts hitting his…

  • New For Tracy Hyde: Juniper And Lamplight EP

    For Tracy Hydeについて初めて知ったのは、BOYISHと共にスプリットEPを出した時。その軽快なギター・ポップは、もし今が80年代ならば、Sarah Recordsが大きく取り上げていた事でしょう。For Tracy Hydeの今までの作品は、他の日本インディーポップアーティストと似た音楽性を持ちつつも、日本語で歌う事で、WallflowerともBOYISHとも異なる響きを鳴らしていました。彼等のデビューEP、”Juniper And Lamplight“は、”A Clockwork Lemon”で聴けるような、陽気で明るい雰囲気に満ちています。”First Regrets”ではシューゲイザーからの影響も。 今回の作品では更に他と差をつけるべく、インディー・ポップらしかぬ曲も。”Shady Lane Sherbert”なんかでは大胆不敵にもギターが取り除かれていて、代わりにシンセが鳴り響いています。チルウェイブの影響を取り入れ、上手く再構築されています。ふわふわしたボーカルとゆったりとしたテンポから繰り出される独特な空気感は、”Juniper And Lamplight”以外からは聴けないでしょう。最後の曲、”₀oOℑ ∪╹ω╹∪ℜ (Delikate Dawgz)”では、うねる電子音の上にボーカル・サンプルが浮いているかのごとく配置されていて、更に衝撃的。奇妙なエンディングですが、For Tracy Hydeが次にどんな挑戦をするのか、とても興味をそそられます。ダウンロードはこちらから、視聴は以下から。 Juniper And Lamplight by For Tracy Hyde