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Category Archives: J-Pop

New Vanilla Beans Song And Video: “älskar dig”

When it comes to idol-pop duo Vanilla Beans, the new video accompanying fresh material is just as if not even a little more vital. If you shut your eyes and just listen to the pair’s newest “älskar dig,” you’d hear a breezy pop song dusted with some strings and the sweet dual singing they’ve clung to so far in their careers. It’s an above average bit of throwback pop, not quite up to the dizzying heights of their best work on “Nicola,” but a nice poppy escape after the latest Koda Kumi single has made minced meat of your cerebellum for the umpteenth time.

Yet Vanilla Beans’ visual style is just as important to their overall act, both how they dress and how they act in the clips accompanying their videos. On “älskar dig” they don some eye-confusing dresses complete with retro hat, seemingly just the latest installment of the duo imitating older idol groups. Then we have the video, and this is where Vanilla Beans go from harmless pop outfit to an overthinker’s delight. Vanilla Beans seem to be in on some sort of joke, or at least not taking this nearly as seriously as, say, AKB48 who hold tear-stained press conferences on the regular. So thus, the below clip, involving a child, aliens and Vanilla Beans continuing to deadpan act as poorly animated stuff rolls by them. The actual music sounds just fine, but here’s another example of Vanilla Beans being Japan’s most interesting pop group of the moment because they give us so much to talk about. Watch below.

[youtube=”http://www.youtube.com/watch?v=gs7DR0PT5bc”]

Station To Station: Music Station For July 15, 2011 Featuring Arashi, GACKT And 板野友美

Remember this feature? Music Station went on summer holiday for the last couple of weeks, but it’s back just in time for the middle of July.

Arashi “まだ見ぬ世界へ”

[youtube=”http://www.youtube.com/watch?v=tufJ2sExlgA”]

Lady Gaga visited eternal-boyband SMAP’s show SMAP X SMAP recently, and Ms. Gaga thought it would be a cool idea to upload the footage of said show to her official YouTube page. Little did she know who she was dealing with it! Johnny’s filed a complaint, and poof, can’t find the clip anywhere at the moment. They just really really seem to hate having their artists show up online for some reason. Along with the obvious drawback of attracting the ire of a fanbase really gaga (lol) about an artist, it just seems like such a strange marketing move here in 2011, when an online presence almost feels like a much. Then again, Johnny’s towers above the Japanese pop-scape, so they might be able to avoid such pitfalls as “progress” and “the internet.”

So enjoy the above video of Arashi’s newest song while you can. Besides being fated to be another example of their poor online thoughts, this track hits on the OTHER huge problem with the Johnny’s sound – mainly, that regardless of what they try to do differently, always ends up sounding the same. What initially seems like Arashi embracing the Euro-house pop American and (to some degree) South Korean stars have been gobbling up as of late slides into typical borderline dinner theater, just with different sounds in the back. They tease again later, with baby’s-first Black Eyed Peas, an awkward electro-mumble that reminds us that, for all the dumb stuff will.i.am has done, he at least never sounded this grating. Johnny’s really have no reason to change considering the strange chokehold they got on people in Japan, but would it kill them to try something a little different one day? Or at least let us see Gaga?

Ikimono-gakari “笑ってたいんだ”

WATCH HERE

Does the government demand all Ikimono-gakari songs clock in at over five minutes? I don’t think I’ve ever heard one that lasts less than the time it takes to cook up some popcorn. Usually, this extended run time just hurts the band, because even their best ideas collapse into a heap about three minutes in. This new single would be such a mess of exhausted flesh. Ikimono-gakari bounce around on some sunny, bell-loaded melodies and even work some good drum bits in. At maybe a little over three minutes, this would be a pleasant bit of summer pop, even with the superfluous guitar solo left in. At six minutes and 11 seconds, it just feels like I accidentally left the video player on and am kicking myself for burning out on this. Cut this one off as soon as you’ve had enough feel-good rays…anymore and you’ll cook it out.

板野友美 “ふいに”

WATCH HERE

So, as pretty evident from her voice, this lady is a member of AKB48. Alarm bells, yeah? Well, wait for this…

Saying this sounds like the best AKB48-related song released yet rings of the faintest praise, a compliment up their with “least annoying strand of herpes.” Yet here we are…a song from a member of the worst pop outfit in maybe the entire world (yeah I said it) that actually sounds…gulp…OK? Unlike “Flower” from that lady who won the popularity contest, this isn’t all sentimental glitter, but rather a pretty clever Nishino Kana bite. Like that Arashi song above, this opens with a Euro-house flurry, but it actually lingers around, at least at parts. The verses initially let her voice float over bare piano and you are thinking “OK, now things are gonna suck” but nope, the four-on-the-floor beat sneaks back in and little electric flourishes steer this away from lame ballad territory. I personally think what elevates this into something special will also be what drives a lot of people nuts – the vocal effect that makes her sound like a multi-layered borg. I picture a lot of people wretching like it’s Auto-tune…but compared to a typical AKB48 song where a chorus of damned schoolgirls sing together at once, a little digital manipulation isn’t so bad.

I’m going to stick my head in the bath now and see if this isn’t all a sick dream.

加藤ミリヤ×清水翔太 “Believe”

[youtube=”http://www.youtube.com/watch?v=MjkQjqe4ivs”]

Man, ya’ll J-Pop artists like synths this week.

This song just comes off as straight boring. Ignoring the silly “battle of the sexes” video, the actual track is just usual semi-upbeat R&B that never really goes anywhere interesting. I can’t even think of a meme to put after this.

GACKT “Episode.0”

[youtube=”http://www.youtube.com/watch?v=fZOEHCEhohU”]

GACKT wants you to feel the drama, and he has the pipes to make you think the world is ending. Shame that isn’t a pleasant sound! This is just ridiculous rock music, the sonic equivalent of wearing a cape. This probably speaks to someone out there, but to me this just sounds like bad karaoke in the making.

Winner Of The Week – Do…do I dare type the words I thought would never come? That one lady from AKB48.

[youtube=”http://www.youtube.com/watch?v=WWaLxFIVX1s”]

Controlled Karaoke: Saturday Night Live Japan Parodies Girls’ Generation,

[youtube=”http://www.youtube.com/watch?v=LUmXliVoXlM”]

Japan recently got its own version of Saturday Night Live and, this past weekend, the fledgling program did a brief parody of South Korean juggernaut Girls’ Generation, recreating the video for the group’s Japanese single “Mr. Taxi.” Can you spot the joke? Hint, some of them are men. Watch it now, as the YouTube uploaded MAKES IT CLEAR IN ALL CAPS this will be removed next week.

A weaker man would write something like “lol as bad as the American SNL right?” but 1. I have no idea if there is some sort of deeper commentary going on here so I won’t say anything to critical and 2. yeah SNL in America has a lot of strike outs but they still knock one out (or at least record a respectable single) once in awhile, which is more than a lot of shows can boast. And hey, they gave us this.

[youtube=”http://www.youtube.com/watch?v=BQkL9LpvKl0″]

The Japan Times recently ran a story about Saturday Night Live Japan, read it here.

New Kaela Kimura: “Kidoairaku Plus Ai”

At long last, the follow-up to Kaela Kimura’s breathless “You Bet!!” Well, the pop singer did release a few other songs between now and then – among them, the best ringtone ever and a whatever Christmas track – yet this serves as her first “rock” single since “You Bet!!,” which found her just stumbling across the most driving and catchy moment of her career. I say “rock” only because her take on rock is a far cry from the fuzzy, aggressive stuff one instantly thinks of. Rather, Kimura has always blessed her rock-ier numbers with a keen J-Pop edge, meaning she can simultaneously stand out from a crowded market without losing the ability to become a gum spokesperson.

“Kidoairaku Plus Ai” doesn’t come close to matching “You Bet!!,” but it’s still a solid outing for her. Kimura clings to a few tricks from that last fist-pumper, holding onto the vocal effect that makes her sound extra metallic. Plus, compared to other “rockin'” J-Pop songs, the guitars here sound pretty rollicking. It lacks the ear-conquering chorus her best singles often come complete with, opting instead for an enjoyable bounce that’s fun while it lasts but ultimately not going to stick with you while doing chores. Not game changing, but a welcome return from one of the more interesting performers in J-Pop today. Listen at Tokyo Hive.