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Category Archives: Music @ja

Transitory Splendor: Submerse’s “Algorithms And Ghosts”

It is a soundtrack made for commuting between different places in large urban spaces, filled by swarms of people shoaling and funneling across intersections, subway stations and central hubs like corpuscles pulsating in the cities veins, conducted by invisible algorithms in the symbiotic superorganism that is a metropole. – Submerse, about his new EP Algorithms And Ghosts

Tokyo can be an enchanting place when you first visit it. It’s a sprawling, neon-soaked place that always seems to be in motion, people rarely stopping to rest as they shuffle between train stations. The sheer size of the place makes it seem like their all sorts of secrets tucked away in back alleys and office buildings. This feeling of awe passes the longer you stay in Tokyo – get an apartment here and it soon feels like anywhere else on the planet.

Music maker Submerse originally hails from England, but currently lives in Tokyo and is prepping a new album called Algorithms And Ghosts, a work inspired by his time in Japan’s capital. Based on the title track, he has managed to stay fascinated by the place. Whereas someone like Burial turns the city into a lonely place in his song, Submerse portrays Tokyo as a bright, dizzying place, filling “Algorithms And Ghosts” with laser-like electronics, distant twinkles and soulful vocal samples. It’s a minimalist construction, but this bare-bones form allows the sounds Submerse does bring in to really shine. The album comes out in March, but listen to the title track here.

Get Elen Never Sleeps’ New EP Silver Now

Tokyo’s Elen Never Sleep has been previewing tracks from his forthcoming Silver EP for a while now, and today the seven-song release can be yours, either for free download or as a limited-edition cassette. Besides getting to hear good cuts like “Silver” and (especially) “Shine On Me,” the EP also comes with a Taquwami remix. A nice Sunday present, I dare say.

In other news, American act Wild Nothing is coming to Japan this Spring, and if someone isn’t working to get Elen Never Sleeps as the opening act, I don’t know what to believe.

New Sakanaction: “Music”

Sakanaction’s latest single “Music,” due out January 23, finds the group touching on some of their older material. The way lead singer Ichiro Yamaguchi stretches out syllables in the verses brings to mind the single “Endless,” while the late-song surge in emotion resembles another cut from DocumentaLy, “Monochrome Tokyo.” Yet this isn’t the sound of Sakanaction running out of ideas, but rather them taking these ideas into new directions. It also helps that “Music” fits in a bunch of other great ideas too – it starts as a bouncy-but-lonely track, leaving Yamaguchi’s voice right in the center. Yet the band soon picks up the pace and “Music”builds towards what has become Sakanaction’s calling card – a big, emotional burst of a chorus. I’ve said it before and I’ll say it again, but watching these guys become the best mainstream rock band in Japan has been special. Listen here.

JAM The MOD: “Since Tomorrow”

Indie-pop label Ano(t)raks plans on releasing a new compilation album in February, and have already revealed a list of artists who will be contributing to the sequel to the excellent Soon comp. The forthcoming release features a lot of familiar names – Post Modern Team, Boyish, The Paellas and many more…but also features a few names, like Fukuoka’s JAM The MOD. If you simply assumed they sounded like a typical Japanese indie-pop band – bouncy guitars, sigh-worthy lyrics, a dreamy quality to their sound – I wouldn’t blame you, because I did the exact same thing. Then I clicked “play.”

The group’s current – and only available – jam “Since Tomorrow” merges folksy indie-pop with the stuttering beats of dubstep circa 2007. It’s a combination that instantly makes JAM The MOD standout from the nation’s twee-ish scene, the beats adding a touch of mischief to what is otherwise a very pretty, easy-breezy strumalong. It’s a track worthy of attention just for the peculiar sonic combo, but proves to be worth your time because of how good JAM The MOD make it sound. What’s even more exciting is that it hints at new possibilities in Japan’s indie-pop scene. It will be interesting to see what directions JAM The MOD go in next…like on that compilation…but hopefully they continue to challenge themselves. Listen below.

Pitch Shifted: Winona Hyper’s “Promise”

This song isn’t introducing anything novel to the Japanese independent music landscape – producers pitch-shifting a vocal sample or two and building a song around it were all over the place in 2012, highlighted by the likes of Taquwami and Seiho. Yet Winona Hyper’s “Promise” does a solid job of this style, taking only a few snippets of singing and building a blurry soundscape using it. That sped-up-and-slowed-down voice might be the centerpiece of “Promise,” but the real wonders happen outside of it. Winona Hyper’s synths are lovely flashes, recalling the best parts of Taquwami’s Blurrywonder EP, but this project also mixes in sounds like the crystal ripples that give this track a tender touch. Turns out their is plenty of good ideas left using this production technique. Listen below.