This narrative writes itself, practically. Le Makeup’s voice had long been buried in his music, then in 2018 it started creeping closer and closer, and now comes End Roll wherein it is the most important element of each song. The three songs here are some of the most straightforward ones Le Makeup has created, with…
“Unnerving” isn’t quite the right words to describe “Over My Dead Body.” It comes close — and boy, do we love using that one whenever we can — but AAAMYYY’s latest ahead of her debut album Body does much more than just make us feel slightly uneasy while looking at the computer screen. While the…
Chai can lock in just as well as they can get wild. The quartet’s biggest online hits thus far have been nervy rock numbers that see them zipping from idea to idea, unafraid of a jarring shift. “Fashionista,” from upcoming album Punk, shows off the other side, the one grounded in repetition and gradual change….
Intend keeps things soft on “Kyu Ji,” but doesn’t get too quiet over the course of the song. This number, featuring a sparse piano-accented beat, approaches whisper rap, but the MC at the center of it makes sure to prop up her words with a blast of energy to avoid letting it get overly sleepy….
Metoronori is back with a new song, her first of 2019 and a welcome return to the off-kilter pop world she has been constructing this decade. “Yoru No Hitobito” strikes a good balance between the unsteady and the hooky, opening (and weaving in throughout) with samples of what sounds like Italian set against synth starburst…