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Category Archives: Music

City Daze: Tomisaki’s City 166

At its core, Tomisaki’s City 166 is a great house album, delivering three high-energy tracks full of warm piano lines and vocal samples. It’s a good time, fun release! But the reason to put it under the spotlight a bit more is because of the moments when the songs on City 166 get blurry. See the bell melody that enters into “Shallow Valley” about midway through, adding a light feeling to a number that was otherwise barreling ahead. Or spend some time with release highlight “Tall Circle,” which teeters between pure daze and something more sturdy for its whole run. Get it here, or listen below.

New Snail’s House: Alien Pop II

The danger in nostalgia is getting stuck. It’s easy to ground yourself in the best thing you heard when you were 20 and never budge…or go even further back, a move making everything happening in front of you in the now seem like junk compared to the good old days. But seeing the now…and how the now develops…can be thrilling. Alien Pop II is among Snail’s House best releases to date, marking the next step for a producer who has spent the last two years developing from warm-and-fuzzy beatmaker to one of Japan’s best creators going. Like its predecessor, Alien Pop II serves as an embrace of electro-pop, channeling the bubbling sounds of Yasutaka Nakata at his peak while still finding room for Snail’s House to put their own mark on it. “Cosmo Funk” delivers throbbing synth melodies and interlocking syllable stutters that morph into something approaching proper singing as the number swings forward. After spending 2018 showcasing a more refined side to Snail’s House, this reminds of the pure joy capable in all these electronics coming together (with some subtle piano notes creeping in, too). Better still is “Planet Girl,” opening with a big party-starting digi-drum fill before erupting into a steady bounce and flurry of shiny synthesizer stardust, making the Vocaloid-smeared vocals bouncing alongside it all even stickier. No need to retreat into old Capsule albums and fading memories, because a new generation of artists are really showing a new path forward. Here’s a standout. Get it here, or listen below.

New Wooman: “Sun”

Post-Cuz-Me-Pain band Wooman has a new album out next week, and “Sun” hints that they are just a touch more focused this time around. Early releases from this fuzz-accented project embraced a garage-centered playfulness balanced out by some of the shadowy tension of their younger days, with songs feeling seconds away from zipping into chaos. “Sun,” though, unfolds more deliberately. It starts out jaunty but with some melancholy creeping in, everything slowly picking up in intensity without ever feeling like its heading off track. But it all builds to one big rev up to close out the song, Wooman using more concentration to make everything click together come the end. Listen above.

New Mikazuki Bigwave: Hoshizora Romantic

A handful of artists dabbling in future funk are hitting their stride. The internet micro-genre started as “take funk or city pop song, speed up, add kick,” resulting in some catchy moments but mostly a lot of tracks that make you want to listen to the original. But plenty have played around with this format, warping samples into something new or bringing in singers and rappers to turn these fragments of the past into a backdrop for the contemporary. Mikazuki Bigwave tightroped between both sides over the last few years, but Hoshizora Romantic serves as a breakthrough both for the artist and where this style could go. Funny enough, they manage this with only minimal changes — this album is still dominated by swift dance songs built around vocal samples ripped from older songs (though, credit here to the move to draw just as much from like post-21st-cenury J-pop as ’80s anime soundtracks, which helps ripple up a familiar formula), but there’s way more happening in these songs. Along with Moe Shop’s Moe Moe, Hoshizora Romantic takes future funk closer to French touch, a natural connection working wonders from the stuttering opener “I Wanna Be With You” to the brassy stomp of “Bless You.” There’s also new wrinkles to Mikazuki Bigwave’s sound, such as an exploration of downtempo sounds on “Sea Princess” and an especially welcome take on UK garage with “Need You.” It’s the best collection they’ve released yet, and a wonderful argument in favor of opening the borders of micro-genre. Get it here, or listen below.

New (Kinda) Have A Nice Day!: “Bokura No Jidai”

Sometimes, a band moving up from an independent community does something like a movie theme song, and it can get people in a tizzy. I’m hoping that’s not what happened with Have A Nice Day! last year when they provided “Bokura No Jidai” for a film about millenials. The band, though, has always pretty much made soaring end-credit worthy electro-scuzz pop, the bedroom edge concealing all-together-now and outright earnest songs. “Bokura” wears its heart a little more larger on its sleeve — though only the new video, reason for posting, really pushes them somewhere new, using found online footage of the kids today doing stuff to underline its “living in the moment” theme. There’s something a bit more communal about it, and also something a little more marquee J-pop about it (weird comparison point: Perfume’s “Star Train“). But then again, that was always lurking in their DNA. Listen above.