Deeper Depths: Muranouwasa

Identity — or, more accurately, confirming identity — has always been a bit of tripping point when it comes to Japanese music. This became an especially tough with the arrival of vaporwave, a micro-genre where artists borrowed heavily from Japan for their aesthetics. This eventually lead to some project boasting a name written entirely in katakana claiming to be from, like, Hakodate, but really just being some kid in Buffalo. If you slap a Roman bust on your Bandcamp thumbnail, chances are I doubt you hail from “Fukuoka Dream Plaza.”

Muranouwasa provides a similar challenge, in that this artist has very little information about who they are. We are taking a slight leap of faith (lots of competent Japanese, seems good! Full sentences!) and assuming Muranouwasa hails from Japan, because the music they make is very intriguing. It’s not really in a rush to go anywhere, and in some cases sounds ready to fall apart — the sea-slug-speed of “Quartz” gets spiced up by some electronic whirs over the top, adding a welcome tension to the proceedings. More disconcerting from the start is the scatterbrained “Silica Gel,” which turns various samples and woozy sounds into a jam. Also worth checking out is this disorienting two-song set, which adds welcome wooziness to the Japanese Bandcamp beat scene. Listen to more here.

Similar Posts

  • Pa’s Lam System Teams Up With Parkgolf For “Doughnut Planet”

    As part of Maltine Records recent stay at the new Red Bull Studio Tokyo, the netlabel had a few of the artists orbiting in their space collaborate on new songs. Tomggg and Hercelot were up first with “Greengum,” and now the second day’s participants share their creation. Pa’s Lam System and Parkgolf worked on the…

  • Side Treats: Mikafika

    One of the better stories to come out of the Japanese music landscape in 2010…especially from the Osaka scene, represent…would be bouncy outfit Ice Cream Shout getting some blog traction for the tune “Tattooed Tears.” This came with some bonus treats – the group’s 2009 album got some attention from blogs, and the various side…

  • JAM The MOD: “Since Tomorrow”

    インディ・ポップ・レーベルAno(t)raksが2月に新しいコンピレーション・アルバムをリリースします。既にいくつかの参加アーティストが発表されていて、このコンピが本当に素晴らしい物になると期待させてくれます。Post Modern Team、BoyishやThe Paellas等、お馴染みのアーティスト達に加え、JAM The MODという福岡のバンド等、新しい名前もいくつか。跳ねるギターやため息をつきたくなる歌詞からなる典型的な日本のインディ・ポップを想像していませんか?…とは言うものの、恥ずかしながら私も同じでした。そんな雰囲気を仮定しながら再生ボタンをクリックしたのはここだけの話。 今の所このグループはSoundCloudで”Since Tomorrow”だけしかリリースしていないのですが、これが凄く個性的。フォーキーなインディ・ポップが2007年あたりのダブステップ・リズムに乗っかってる独特なスタイルなんです。なんと言ってもこのビート感が他のTweeなアーティスト達との違いで、暖かく優しいメロディーが特徴的な曲に冷たい緊迫感を与えています。ただ単にジャンルをくっ付けるのは誰にだってできる事。でもJAM The MODは上手く異なる要素を組み合わせる事に成功していて、だからこそ注目すべきなのです。日本のインディ・ポップ・アーティスト達にとっても良いヒントになるのでは?JAM The MODのこれからが気になります…はたしてコンピにはどんな曲を提供するのか…いずれにせよ、これからもどんどん新しい事にチャレンジして欲しいです。試聴は以下から。