我々の”favorite songs of 2012 lists”のような年末特集を組むのは非常に難しいです。限られた数を選ばなければいけないので、結果選べないアーティストもいるからです。去年でいうと”My Aquamarine/Spinning Wheel”をリリースしたElen Never Sleeps。このシングルは素晴らしい曲を２つも収録した、ENSがアーティストとして急成長した作品です。そして2013年を迎え”Silver”をリリースしたENSは、今年もさらに彼らしさを発揮させています。新曲”Shine On Me”は去年の”My Aquamarine”を彷彿とさせるものの、ビートがENSの今までの曲の中で一番ダンサブル。コーラスの部分では、風変わりなボーカルやストリングスを始め、さまざまな音色が飛び交っているものの、互いを殺しません。こういった細かいこだわりが光ります。
One of the tougher parts of putting together a year-end feature – like our “favorite songs of 2012 lists” – is cutting it down. This means some really great stuff gets left outside…and last year, one of the toughest omissions to make was Tokyo murmur-pop dude Elen Never Sleeps, whose “My Aquamarine/Spinning Wheel” single featured two great songs and marked a jump forward artistically for Elen. It’s looking like ENS won’t be facing a similar dilemma in 2013, as he’s just released two tracks in advance of his new Silver EP, and both find the solo artist making further artistic strides. “Shine On Me” initially resembles last year’s “My Aquamarine,” but features a livelier beat that is the closest ENS has ever come to being dancey. The real development, though, is greater attention paid to sonic details – the most catching element of “Shine” is the almost-meowed noises that make up the chorus, but equally as strong are the strings that rise up throughout the song.
The title track from the EP, meanwhile, is more reflective, but features ENS adopting a slightly deeper voice for most of the song. It’s the less daring of the two tracks, but refines the Elen Never Sleeps sound further. Listen below.
Young Osaka imprint/party Perfect Touch…featuring heavy involvement from various INNIT originators, primarily Erik Luebs otherwise known as Magical Mistakes…just wrapped up a tour behind Sweatson Klank, an electronic music maker out of Los Angeles. I wasn’t able to hit up the Tokyo leg of the tour because I had to go watch Rock In Japan…
I’m not silly enough to think indie-pop music will ever go away completely. As long as there are romantic boys and girls with guitars and access to twee.net (so, a lot of people), this stuff will always be around, all over the world (see the great Fear Of Men album that came out this year)….
As mainstream Japanese music continues to revolve around only a handful of pop-leaning acts – the biggest sales all come courtesy of groups with a “48” in their name or a boy group from Johnny’s – underground artists who will never have a shot at breaking through into the Oricon world have turned to the…
Tokyo Jihen “Sa_i_ta” It might be hard to tell given the number of live DVDs and best-of releases that have packed store racks this year, but Tokyo Jihen called it quits back at the start of 2012. Assessing the group’s legacy ends up being a tricky task – lead singer Shiina Ringo’s solo albums remain…
There are a few new few twists to be found over at Ano(t)raks, the online label specializing in Japanese indie-pop. The Upwards And Onwards EP, the follow-up compilation to last year’s excellent Soon collection, features sounds just outside of the collective’s usual twee leanings. Tokyo’s Canopies And Drapes shows up with her bouncy, Night On…
