Boris are back with a new album this June, called (appropriately enough) Noise. Well, here’s the world’s first taste of it with “Quicksilver.” It’s a driving number with some nice touches…like the screaming that’s just lurking a little lower in the mix. And it goes for just over seven minutes. Listen below.
Since helping launch Beta Pack a while back, producer Broken Haze has embraced a piston-pounding, all around aggressive sound that seemingly draws inspiration from the world of cars. The Nizmo EP is the latest exploration of this HD-like approach to hard-hitting dance, featuring four new songs full of trunk-rattling beats and shiny synthesizer notes. Opener…
Nagoya’s House Of Tapes offers up something hypnotic on Jump Up, a three-track album released via netlabel Force Records. Roughness exists around the edges — every song here sounds like flakes are coming off of it, while the beat itself often sounds especially clattering (track one in particular) — but it never gets overwhelming, allowing…
Neon Cloud Neon Cloud Neon Cloud Neon Cloud！取り乱してすいません…でも、ミステリアスかつ素晴らしい（どんどん良くなっています）東京のプロジェクト、Neon Cloudが、2011年のKnit EP以降ついにまた作品をドロップしました。厳密に言うとオリジナル作品ではないのですが、Neon CloudがブルックリンのBlue Foundationの”Describe”（原曲も素晴らしいですよ！）にFlauアーティスト特有のテイストを足しています。このリミックスではリズムには手が加えられていないものの、不意なビートであったり、多数のシンセであったり、加えられた音が原曲の持つ不穏さを際立てるだけでなく、更にその世界感を追求しています。この“Describe”のクライマックスはNeon CloudがBlue Foundationのヴォーカルを逆再生し、リミクサー自身のボーカルが陰から現れる所。男性ヴォーカルがメインなものの、Cloudの繊細な女性ヴォーカルもバックグラウンドに花を添えます。今年はNeon Cloudが新作をリリースするように皆で祈りましょう！試聴は以下から。
Picnic Women deals in samples, turning familiar songs (in most cases) into warped juke numbers. They are rarely as direct with what is going on as with “PICNICWOMEN On The Floor,” which lays out the idea right in the title. This is Bruno Mars’ sultry “Versace On The Floor” — the slow-dance/make-out session counterpart to…
Who is next? Boogie Mann has been around in Japan’s juke community, even offering something approaching mainstream awareness a couple years back. But now here is a chance for more international exposure, via Traxman’s label Tekk DJZ. Who Is Next offers four sturdy tracks showcasing one of the Japanese scene’s most vital creators. The title…
City pop, a genre of music that saw its heyday during the high times of Japan’s bubble economy, has had a bit of a resurgence over the past year. The Japan Times covered this trend towards the retro recently, focusing on the likes of Greeen Linez whose recent album Things That Fade is an excellent…