New i-fls: Tenderness

At last, the latest installment in what has been the most intriguing body of work in Japanese music this year. It’s tough pinpointing what exactly bedroom producer i-fls does that has made the various free albums and EPs he’s released this year resonate so much. Part of it is how he’s able to use the barest of sonic tools to create so much music that also happens to be so varied from release to release. His newest, Tenderness, finds him jumping even further forward with his minimal production set-up (dude does all of this in Garageband, but pulls off more than some big bands can do sonically). Here, it’s all about the drums. He goes wild with the drum machine on “Friendship Fixed,” while “Snow Leopard” sees i-fls hitting up the party-kit option and somehow turns cheesy cowbell samples into weirdly sentimental flourishes (the piano lines placed next to them help a lot). Yet the best moments come when the usually hushed i-fls lets loose. “Memoria Del Suono Della Risacca” opens with what sounds like a busy signal and some 8-bit bass before transitioning into a whimsical synth workout…all par for i-fls. But the song builds up to a noisy climax, a thrilling moment. And then there is “Gorge Maki,” quite possibly the best song i-fls has recorded to date (which, to be honest, is a bit of a foolish endeavor, like trying to choose which random memory that tip-toes across your brain is most powerful). The drums on this sound IMPOSING, ready to gobble up everything else i-fls enters into the song’s frame. It’s the heaviest thing he’s ever made…but it balances out with the other element that makes his music so entrancing.

Which is the sense of nostalgia/longing he’s able to grace these Garageband creations with. Song titles have always been clues to understand what i-fls is getting at – a mix of girl’s names, suburban imagery and Internet landmarks (here, we get “Dropbox” and “Snow Leopard” and, for you train fans, “Pasmo”). For me, i-fls’ music has always been snapshots of memories that come across in moments of everyday boredom, the sound of suburban ennui translated through a piece of Apple software. And like all memories, these are far from perfect – “Kill The Arty Fake Lo-Fi Spirits” fades in and out during the middle of the song, like a mental image you strain to remember. What sounds like natural noise pops up on “Midnight Telephone,” while “lzh” opens with a harsh little pattern, like a brief bad vibe. Honestly, i-fls is just a master of creating simple melodies that are a swirl of emotions. Get it here, or listen below.

Similar Posts

  • |

    New Perfume: “Mirai No Museum”

    It’s tempting to excuse the relatively lukewarm “Mirai No Museum” because of its commercial obligations. This, maximalist-pop-trio Perfume’s newest single, serves as the theme song for the upcoming Doraemon film which seems to involve some sort of “future museum” (which is what you get when you translate the title). After a string of songs in…

  • The Paellas Release The Following EP

    大阪のThe PaellasがEP Followingをリリース。素晴らしいタイトルトラックFollowingは今週のはじめにアップロードされ今回2曲を追加、EPの全貌が明らかになりました。Spiderはテンポ感の早いインディーポップの楽曲、もう一曲はThe Cleaners From Venus のカバー曲になっています。こちらはオリジナルよりも音質をこもらせスピード感を出した楽曲になっています。EP Following は日本のインディーポップをリリースするオンラインレーベルano(t)raksの第一弾リリースにも、EPは無料ダウンロードが可能なのでこちらからダウンロードもしくは以下から視聴を。 Following EP by The Paellas

  • New Moscow Club: “Fahrenheit 451”

    Moscow Clubは本当に素晴らしい。最初に我々が注目した”Daisy Miller Pt. 1″ は、ヘンリー・ジェームスの物語からの引用で、作品同様の感情的な雰囲気を醸し出しています。今回SoundCloudにアップされた曲は、”火星年代記”や、”華氏451″等を執筆したSF作家、レイ・ブラッドベリ(レイ、 数々の素晴らしい作品をありがとう。安らかに眠れ。)へのトリビュート精神が。Moscow Clubの新曲は”華氏451″の英語タイトル、”Fahrenheit 451″で、”Daisy Miller”の曲のように文学的に攻めるのではなく、あくまでレイドバック。悲しい過去の物語を語るのではなく、ちゃんとダンスフロアにそぐうように作曲されています。シンセが良い味を出しているこの曲はMoscow Clubの今までの曲よりも打ち込みがメインになっていて、この3分程の遊び心溢れる作品は、Toro Y MoiやKissesを連想させます。コーラスが実に美しい。試聴は以下から。