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New Jesse Ruins: “Mineral”
It’s an origin story always worth revisiting, especially in light of “Mineral” — the Jesse Ruins project emerged from Tokyo’s CUZ ME PAIN crew, a collective of bedroom-centric producers who initially dabbled in dark dance music. Jesse Ruins grew into something else entirely — a duo, yeah, but also a musical outfit that explored a…
Controlled Karoke: ORIGAMI Cover Sonic Youth’s “Bull In The Heather”
Well my day has featured a whole lot of origami. First I read Tiny Mix Tapes excellent Japan The Beats feature which covers rap in the country, this article featuring a bit on an outfit called Origami. Later I tried to do research on another musical project featuring “origami” in the title. And somehow Googling…
Busy Week Catch-Up Post: LLLL, Boys Age, Annie The Clumsy and DJ NHK Guy
It has been a busy last few days around these parts, not helped by me finally downloading a certain wonderful cat game, and this blog has fallen behind a bit. That’s no good! Here is a catch-up post of a few notable releases from this week. – Tokyo’s LLLL posted the free-to-download “Times Can Be…
New Nate And Flip Flop Fly: “Reflects My Self” And “Intersect”
Big week for rapper Nate, involved in two of the best songs released out of Japan over the last seven days. She takes centerstage on “Reflects My Self,” a woozy number that finds her sing-rapping (and adding in some delightful ad libs) over a rippling electronic beat close to Local Visions’ brand of out-of-time-ness. It…
Away From Here: Saori Kobayashi’s Terra Magica
Something that I personally have been struggling with lately has been the enthusiasm to seek out new music, both from here in Japan and outside of it. It’s probably something to do with simply getting older and watching that once youthful energy that drove me to stay up until 3 am SoulSeeking the night away…
New Boys Age: “Forlorn Beach”
This is both the liveliest sounding Boys Age song and the most downtrodden. The bedroom rock project has gotten jangly at times in the past, but “Forlorn Beach” deploys a jaunty drum beat that practically skips ahead, adding an energy rarely found in the group’s music. And it works well in conjunction with the guitar…
