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Peeling Away: Cairo’s “Same As Before,” “Retrospective” And “Night Vision”
Any band saying they drew heavy inspiration from Hotel Mexico has my attention, as did Tokyo quartet Cairo in a recent piece by Ryotaro Aoki over at The Japan Times. And listening to the three songs they’ve shared online — all from the recently released Same As Before, out via Magniph — makes it clear…
New Post Modern Team: “Listen To The Music”
Post Modern Team could play this trick, one a lot of indie-pop bands are capable of but which happened to be one the Osaka group did better than most in Japan. From the opening notes of career-highlight “Never Let You Down” and onward, they could make even the hint of wistfulness sound happy, especially when…
Bedroom Blurs: Santa Dharma’s “Compass Moon”
Using just a little echo and some other effects, Tokyo’s Santa Dharma transforms a pleasant bit of bedroom pop into something with blurred edges. The duo utilize a small set of instruments to create a sparse but bouncy little number that then gets wrapped in the aforementioned echo, a few dub touches and a few…
New Monico: “New World”
Monico has had a busy 2017, most recently teaming up with Kindan No Tasuketsu for the fantastic “Goodbye My Cinderella.” She’s back on her own for “New World,” a team featuring her singing over music created by Tomggg, described in the info box as a “pop maestro,” which seems about right. “Kawaii” as adjective gets…
New Post Modern Team: “I Just Wanna Make Love To You”
New, under-two-minutes-long track from Osaka’s Post Modern Team. They are an outfit who has gotten a lot out of repetition in the past, whether singing about heartbreak or never letting you down…and now they are REALLY getting direct with “I Just Wanna Make Love To You.” That’s because the title is the main part being…
New Mitsume: “Memai”
After deconstructing themselves thoroughly on last year’s wonderful Sasayaki, Tokyo’s Mitsume are back with a new EP this May, and they’ve shared the title track to it. “Memai” isn’t quite as stripped down as some of the highlights from 2014, yet it does nail the repetition they do so well, sprinkled with dizzying electronic details….
