Kanagawa prefecture has been having a moment. Many of the most buzzed-about young artists of the last few years have hailed from the area just south of Tokyo. Thank demographic shifts for that, but it’s given a lot of Japanese music a relaxed, coastal vibe reflecting a growing interest in…well, relaxed, semi-coastal living. Not every…
Just a couple days ago, we were looking at how Toiret Status explored more space on their newest album. That is not the case on “Mimic,” a collaborative number done with Nozomu Matsumoto. This one’s busy from the get-go, full of hiccuping vocal samples, stretched-out syllables, Pachinko-worthy bursts of electronic noise and more, smashing into…
Look, sometimes I try to be cute with these intros…talking about the weather, current events, a pun!…but today I’ll just say that I’m sick and have been out of it since whatever time I woke up. I’ve only done a passing breeze through my usual music sources and wasn’t really focusing on much. This song,…
This is the first Toiret Status release that doesn’t overwhelm, but benefits from a close listening. This hasn’t been the case before, and that was a pretty great thing in regards to Omaru or Nyoi Plunger, albums that felt like dozens of different sounds criss-crossing like broken TV signals into a pattern that made something…
When the prologue to your album goes harder than most of the music I’ve heard so far in 2018, you know you’ve got something special. Tokyo-based producer Oyubi’s My Fingers stars with one of the more attention-grabbing tracks I’ve heard this year in the form of “Prologue 1,” a jittery juke number merging metallic popcorn…