Right Up: Fuishoo’s Morning

Fuishoo is a producer benefitting from the current status of netlabels in Japan. While this corner of Japanese music doesn’t feel quite as thrilling as it once did — mostly as the bigger players grow and become different entities (or focus on different projects entirely — 2018 has seen a greater emphasis on nurturing young artists. That has always been important to the netlabel community, but Fuishoo is one person who has benefitted from both Trekkie Trax’s new :branch project and now Omoide Label’s continued zooming-in on blossoming talent. Morning is a buzzing set of dance numbers, the single best element being their approach to vocals. Opener “ADFFG-2B” features these smudged electronic voices that eventually burst into squiggly synth lines, while the garage bump of “Eat Banana Cookies” pulls off a similarly rippled effect when singing enters the blurry picture. Every song builds on some sort of existing sound prevalent in the Japanese electronic community (see the “kawaii-bass” slap of “Butterfly Steps,” so familiar but so not) but reveals a new perspective on it. Get it here, or listen below.

Similar Posts

  • Premier: mus.hiba Remixes LLLL “Because Of My Eyes”

    Tokyo outfit LLLL released one of our favorite albums of 2014 with Paradice, released via American label Zoom Lens. Now, that imprint is planning to release a new remix album of Paradice on December 16 called Paradice: Revisited By Friends And Lovers. And Make Believe Melodies is excited to announce that we will be premiering…

  • New Haretokidoki: “Touch Me [Straight Run]”

    The duo of Brinq and Misatsun delivered a late-year gem with “Kiss Me,” a sparkling dance-pop number channeling late ’80s idol numbers that managed to be catchy enough to avoid any potential nostalgia pitfalls. “Touch Me [Straight Run]” serves as the follow up, and delivers a slightly more understated, still pretty twinkling bit of pop….

  • New Eadonmm: “Alder”

    The Kansai beat scene, highlighted by artists orbiting around Osaka’s INNIT party and the IdleMoments event in Kyoto, has thus far been defined by its forthcoming nature. Save for Magical Mistakes’ swirlier moments and Seiho’s more spaced-out experiments, the music popping out of the region is often colorful and dance-worthy, all the left turns kept…

  • Japanese Christmas Round-Up 2012: Miila, Her Ghost Friend,

    Miila “Santa Baby” この曲はクリスマス・クラシックの独自バージョン。今回the Geeksは参加しておらずMiilaのソロとしてのリリースなのですが、グランジーでスローなギターにシンプルかつどこか不気味なドラムが印象的な”Santa Baby”のカバーになっています。Miilaは淡々と歌うものの、その擦れた質感やたびたび登場するノイズも相まって、今まで聴いたどのカバーよりも邪悪な印象です。ビデオは以下から。 Her Ghost Friend Merry Christmas Her Ghost Friendはホリデー・シーズンの為に特別な3曲を用意してくれました。そのうちの2曲はオリジナルで、今までのグループのリリースの中でも1番と言っていいほど優れた作品です(Her Ghost Friendの”Looking For Wonder”は今年のベストの1つだと言っているわけなのですが)。”白い、白い、好き、好き、”はノイジーに始まるのですが、ボーカル、ストリングスとシンセが美しく絡み付いていきます。ハープのようなアルペジオ・フレーズがとても華やかですね。”哀愁のクリスマス – Merry Christmas Dear Girl”はオルゴールのようなサウンドがいくつもレイヤーされていて、とてもユニークかつロマンチック。セットは”Miracle Powerful Beat”のリミックスで幕を閉じます。試聴は以下から。 Yucca “Waiting For Snow” もっとスローなテンポが好みで、クリスマスらしく鈴の音が聴きたい方は、Yuccaの”Waiting For Snow”のビデオをオススメします。ビデオは以下から。

  • Controlled Karaoke: DOZ Make Me Laugh With One Very Simple Joke

    [youtube=”http://www.youtube.com/watch?v=tfidGggo9JE”] Korea ha-ha duo DOZ have a single coming out on Avex of all places, and it’s a comedy track with a very simple premise. The dudes repeat the phrase “arigatou gojyaimasu” (also the title of the song) along with a few “sumimasens” thrown in for good measure and say said words in funny ways….