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New House Of Tapes: Hopeless Peace

I don’t need to lecture someone who listens to music all the time that your relationship to a song changes on your mood…if you’re happy, sad, blah blah blah. For me, a crucial way to appreciate music happens when I’m sick, especially if I have a fever or just feel like I’m moving at half speed. Which I am right now! So I think my current grossness is influencing how I hear Nagoya producer House Of Tapes’ latest release, the two-song Hopeless Peace. Recently, he’s shifted back towards the pounding, constricting sound that defined earlier works, and on opener “Hopeless Piece” that results in a song that, in my current state, runs from disorienting to at times a little too busy. Yet it also makes the moment when the noise gives way to a muddy but pretty melody all the sweeter. And it makes the rumbling title track all the better because, whereas the first song sometimes feels too cluttered, “Hopeless Peace” makes its clattering elements work just right. But hey, maybe when I’m healthy again I’ll have a whole new take. Get it here, or listen below.

New House Of Tapes: Heavy Heaven

Nagoya’s House Of Tapes recently started a new netlabel to share music, called Sleep Jam Records. So far, the digital label has put out a compilation and two House Of Tapes’ albums, the latest of which is Heavy Heaven. And it’s somewhat of a throwback for the artist. The three songs here hearken back to his earliest numbers, which were downright suffocating numbers full of harsh noises and concrete beats. And the songs always just existed that way, never needing to build up to it — see opener “Funeral End,” which just opens under punches and doesn’t relent. Yet, it also isn’t pure punishment, as melodies and patterns do emerge in these songs (though it can also be unnerving, as on “Church Sounds,” featuring the most uneasy vocal sample House Of Tapes has ever weaved into a song). Get it here, or listen below.

New House Of Tapes: Jump Up

Nagoya’s House Of Tapes offers up something hypnotic on Jump Up, a three-track album released via netlabel Force Records. Roughness exists around the edges — every song here sounds like flakes are coming off of it, while the beat itself often sounds especially clattering (track one in particular) — but it never gets overwhelming, allowing melodies to emerge and mutate. And, at its best, Jump Up embraces warmness. The standout here is right in the middle, as the second song whizzes and whirs about, but allows particularly sunny melody emerges out of chaos, specifically, the album’s most dissonant passage, bordering on the industrial — or older House Of Tapes. But it makes what follows all the more powerful. Get it here.

New House Of Tapes: “Rosemary”

Nagoya’s House Of Tapes has been pretty busy in 2017, thus far. He’s established Sleep Jam Records, put out a tour-only album and prepping a release with his other project Swamp Sounds. Yet he still drops songs on to SoundCloud under the House Of Tapes name, such as the fluttery “Rosemary,” which is a “limited time release.” I tend to talk about how pulverizing House Of Tapes music has been, but really I’m just focused too much on the past — “Rosemary” reminds that as of late he’s on something a bit more twinkly, the song stomping forward but eventually turning into a heavy ambient track for its final stretch. Listen above.

New House Of Tapes: “Spark Spark”

Now here’s some lovely cacophony. Nagoya’s House Of Tapes has created a lot of busy and, at times, crushing works over the last few years, but “Spark Spark” belongs to a different category — this is a charged-up number, one featuring ominous beats and a lot of distorted vocals, like transmissions coming from some hell-park in another dimension. It isn’t quite pure chaos, but it can get pretty intense. But House Of Tapes knows how to wrangle in the noise just enough so it never turns grating, but rather intriguing in its bruteness. Listen above.