Valentine’s Day Specials: Neon Cloud, HNC, The Eglle, A Bunch Of People Covering Black Sabbath’s “Paranoid”

Lots and lots to love today…so lets dive into all of it. Way better than chocolate, yeah?

The biggest news of the day comes courtesy of Flau, who’ve released the follow up to mysterious outfit Neon Cloud’s stunning debut Knit. Scar finds the group…and it is becoming more and more clear Cuushe is involved somehow with this…expanding a bit with their songs, pushing tracks beyond the six-minute mark. Some of the numbers come off like Knit cuts stretched out and filled with more depth – the previously heard “22” being a great example. Yet elsewhere, this one finds them trying a few new sounds out. “333” is the Cuushe-est track yet, utilizing space well before building up to a crowded and disorienting conclusion. Opener “1,” meanwhile, casts Neon Cloud in a Bjork-ready song. Get it here, or listen below.

In either a great bit of timing or a really productive use of a Friday, HNC has put together a song for a snowy day (it is pretty darn white here in Japan right now). “Yuki No Furu Hi” finds her messing around with electronic vocal effects (plus waves of synthesizers, and the most urgent beat she’s messed around with in some time). And she shifts things up wonderfully midway through. Listen below.

Tokyo outfit The Eglle have something a bit more shadowy for the weekend. “For Him” is sharper, seemingly delivered through gritted teeth (that final stretch, geez). Probably good for those not privy to today.

Finally…do you like Black Sabbath? Do you like Black Sabbath’s “Paranoid?” Welp, Call And Response Records boss Ian Martin (who also is a great writer for The Japan Times) has recruited a bunch of artists in Japan to cover “Paranoid,” with all sorts of different interpretations (“featuring Hatsune Miku” oh yes). This is how I’ll be spending my Friday night…please join me. Get the collection here.

Similar Posts

  • Eadonmm: “Recollection”

    関西のINNITに関してはここでも繰り返し取り上げていますが、INNIT以外でも関西の勢いを表すパーティーを紹介します。IdleMomentsは日本の新しいサウンドを作っているクリエーター達を集合させる事を目的としたパーティーです。オーガナイザーワダシンヤさんはEadonmmというアーティスト名でも活動しており彼の音楽は一般的なダンスポップミュージックとは一線を画する陰鬱で退廃的な世界観を表した物となっています。彼の楽曲Recollectionの鳥のさえずりの様なエコーの声、冷たい空気感を持ったシンセ、そしてちりばめられたビートなどは催眠的な独特な音の世界を作り出しています。試聴は以下から

  • Nice Find: Cassettevision Sampler

    Bandcampから無料でダウンロードできるCassettevision Samplerは、決して音楽ブログから注目を浴びるべく作られた、レーベルのデビュー作品ではありません。レーベルは2000年からあり、「不思議な魅力や毒、ひっかかるなにかしらがある音楽を紹介。」というコンセプトで、2003年以降、数々のアルバムをリリースしています。このサンプラーはCassettevisionの歴史のような物で、過去にリリースした13曲が収録されています。 Cassettevision Samplerの大半はミニマルなエレクトロニカで、冷ややかな実験性はありつつも、暖かくポップな印象が強いです。2つの作品を同レーベルからリリースしているLemの、”Story Of Surf For Young People”で聴けるボサノバ調のサウンドからは、とても温もりが感じられます。他のトラックはというと、engの作品は、跳ねるようなチャイムのような音やノイズ等、一見形のないように思えるサウンドを、ポップソングとして見事に再構築しています。Kiwako Kanedaの曲は、インディーポップやフォークにエレクトロニカが足されたような作品。Hot Fudge Sundaeの”New Walk”はストレートにポップ、Apartmenの”Hand Me Down”は直球ガレージロックなのですが、ちょっとしたクセや工夫が足されていて、レーベルのカラーを象徴しています。Cassettevision Samplerはミニマルなエレクトロニカが多く、レーベルのイメージを知るにはもってこいの作品と言えるでしょう。 cassettevision sampler by cassettevision

  • New i-fls: Windowsill Of Perception

    Notes on Windoswill Of Persception, i-fls’ new album out on Niphlex that you should obviously download right away: – Suburban life/childhood/adolescence is often remembered as a simple time in one’s life, relatively carefree days (at least in comparison to adulthood) that has in 2013 become nostalgia, Buzzfeed list after Buzzfeed list of “remember when?” Yet…

  • Happy To Have You: Dustin Wong And Takako Minekawa’s “Party On A Floating Cake”

    Dustin Wong – formerly of frantic Baltimore outfit Ponytail and also Ecstatic Sunshine, and currently operating as a solo artist signed to American label Thrill Jockey – recently moved to Tokyo. Which means…he’s fair game for us at Make Believe Melodies! His first bit of new material since relocating in Japan’s capital comes as part…

  • Soft As Snow But Warm Inside Break Up, Release Album, One Half Forms New Project Kuroguremore

    The duo Soft As Snow But Warm Inside called it quits over the weekend. The pair, who have been around since July 2012, announced it on a Tumblr blog post. They didn’t release much music during their existence – two EPs and a track via Ano(t)raks – but what they did put out was very…