This is both the liveliest sounding Boys Age song and the most downtrodden. The bedroom rock project has gotten jangly at times in the past, but “Forlorn Beach” deploys a jaunty drum beat that practically skips ahead, adding an energy rarely found in the group’s music. And it works well in conjunction with the guitar…
Man, Mom is feeling themselves right now. Following the topsy-turvy, post-net-label funhouse of Baby Like A Paperdriver, the Saitama artist has gotten a little more sweet, first with the chipper “That Girl” and now “Skirt.” It’s a little lighter, powered by a stroll of a beat and some fat keyboard notes — accented by video…
It’s tough to make music that manages to be emotionally evocative and barrier pushing, but producer MSS Sound System and Shiroro pull it off on Time Warp Love, one of the year’s best collaborations to date and a sorta-outta-nowhere contender for best Japanese album of 2018. MSS Sound System has been making music for a…
Think of this more like one solid mini-album rather than two EPs teased as bookends (collecting and polishing up older songs from them). Duo HoneyComeBear have been one of the better projects in Japan at merging the business of “future bass” with an emotional delivery that often feels two clicks away from J-pop proper. Their…
It’s incredible how even the slightest change to an expected formula can re-invigorate a sound that once seemed completely mined clean. Japanese producer Gimgigam’s Cities In Glass comes via Elemental 95, a label dabbling in all sorts of genre but which is most associated with vaporwave, a niche that feels pretty drained in 2018, unless…