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Category Archives: Music

Into The Deep End: Emamouse’s Tiny Orange Slicker For Birds

For months, I had no idea where to start with Emamouse. She’s an artist who has been active for over a decade in Japan, but thanks to sites such SoundCloud and Bandcamp has appeared especially prolific in recent years. Just look at her own Bandcamp page, and try picking a single gateway in. Maybe one of my personal fears was highlighting something and then having it get piled up in a deluge of new material — existing English writing on Emamouse kind of just drops in and feels deeply incomplete (the exception: this interview, which is maybe a good starting point). Point is…with every new release she put out, I thought “this is going to be the one!” until I got all nervous and kept putting it off.

Tiny Orange Slicker For Birds seems like a good place to just jump into the deep end. It’s a small but engrossing release showcasing the simple-tools method Emamouse embraces — closest comparison I can think of to an artist that I have written about extensively: i-fls — and how charming it can be. The title track skips ahead as Emamouse weaves together melodies, while the glassy “Fallen Leaves On My House” goes from sparse to chirpy at just the right pace. Both use a spartan set of instruments, but Emamouse squeezes a whimsy from them that finds rich feeling in simple sounds. The bulk of Tiny Orange Slicker For Birds lacks vocals — usually her singing does pop up — but with one exception, on the most downbeat moment, “Lakeside Of Sorrow,” where a simple barrage of “la la las” ups the drama. From here, just jump in. Get it here, or listen below.

New Tofubeats: “Fumetsu No Kokoro”

This one benefits a lot from seeing tofubeats perform it live last week in Shibuya. His latest digital single doubles as the theme song to TV Tokyo drama Video Girl AI, which is about a woman who pops out of a television to live with some guy. The verses to “Fumetsu No Kokoro” feature a bounce palatable for a general audience, more daring than the majority of televised theme numbers but fluffy. The chorus, though, is where things really get going, and I’d say seeing it play out in an actual live space helped a lot with that. “Love love love” turns out to be a great thing to shout out with a bunch of other people, while the squiggly electronics underneath it reveal themselves on a home listen. Besides sneaking drum ‘n’ bass tempo into a primetime musical number, “Fumetsu” shows how he can bring his imprint to a hook and make it work. And get a room going. Listen above.

New Antenna Girl: “Mahou No Jyuutan”

Fairly or not, I’ve always associated Antenna Girl with high-energy numbers, of the future-funk variety or otherwise. Yet her latest song casts her in a different light, and one that proves surprisingly fitting. “Mahou No Jyuutan” unfolds as a mid-tempo ballad, putting the emphasis on Antenna Girl’s singing via music that never overtakes her vocals. The twist is she’s an artist capable of owning a song through her singing alone — she takes “Mahou” from a light jog to a big release almost entirely through her delivery alone. It’s not perfect, but perfect is boring — her singing adds a raw emotion few can articulate naturally, coming close to someone like Yuki. Listen above.

New Chocoholic Featuring Lulu X: “Touch”

The hook for this post was just right there for the taking — Chocoholic gives the world a gift on Valentine’s Day! You can’t get an alley-oop like that everyday. Naturally, her new song came out at the exact moment I’m swamped in work / my brain might literally leak out of my head because of what came behind that slash. Good times! Anyway, the Tokyo producer’s latest finds her teaming up with Lulu X, the name that talent Imalu has given to her new electronic musical endeavor. Her vocal focuses on the thrill of being touched by those you care about, and it features a pleasant follow-the-bouncing-ball flow. But the real hook is Chocoholic’s music, which when it hits the hook imitates a nervous reaction to a touch, the music doing quick start-stops like a heart thumping. That action sells it better than words. Listen above.

Fast, Bright Trip: Oresama’s “Hi-Fi Train”

Oresama have been kicking around for a few years now, finding success online thanks to close ties to various anime and manga communities. It helps that they make bright, bubbly dance-pop songs, such as 2014’s “Ookami Heart.” Well, they did do that, but late last year they ventured into a smoother, more in vogue territory with a far less interesting bit of cartoon disco that probably should have been left for Shiggy Jr. But now they’ve gone head-on back into their electronic sound, and “Hi-Fi Train” finds the pair raising the bar for themselves just by going faster. “Hi-Fi Train” just zips ahead, leaving plenty of space for singing and other details but always feeling off of its feet. And it all comes together for a sweet chorus. Listen above.