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Category Archives: Music

New Tempalay: “Shinsedai”

The current generation of rock bands getting looks from the mainstream — Suchmos, Never Young Beach Yogee New Waves among others — offer up a positive outlook on the future in Japan. The headlines tell a different story, one about a lack of permanent jobs and of a country facing a bit (that’s an understatement) of a population drop. You’d think the kids might feel beat down, but based off of pop culture they seem downright upbeat. Think of it as the teens enamored by the “Dragon Night” of Sekai No Owari coming of age and embracing something “cooler,” but with the same positive vibes running through it.

Tempalay fall into this category too, but started life as being too goofy for their own good. But then they revealed something more than Mac DeMarco runoff, while still being apt for this emerging demographic of young listeners. “Shinsedai” synthesizes both extremes of the band. The verses are slinky and tipsy — matched by the video’s silly imagery — and bring to mind the group’s ramshackle early days. But then the chorus pivots to something more sincere, something cleaner, something that finds the group looking — gasp — serious in the clip. Turns out you don’t have to choose a side, just find a little space for both. Listen above.

New Paisley Parks: Coffin #2

Well, that didn’t take long. Following a lengthy period of silence, Japanese footwork outfit Paisley Parks returned with the glorious Coffin #1 like a week ago. Now comes Coffin #2, a further dive into what the project was cooking up in that relatively silent stretch of time. As you’d expect, this set is a nice continuation on what the outfit laid out in the first installment, featuring some of the more sonically pleasing things they’ve come up with (“Ur Not Fast” and its squeegee synths are ASMR for…I guess me, at least…alongside the bubbling sounds on “ADV”), alongside more direct (well, as direct as a skittery cut can get) tracks. Plus “Unda The Sun,” as claustrophobic as I can remember them getting. Get it here, or listen below.

New Broken Haze: VTEC EP

Broken Haze’s chop-shop bass continues to reveal new layers to itself. The producer’s newest release, the VTEC EP, explores similar right-off-the-production-line sounds as previous releases via the BetaPack collective — opener “NSX” features drill sounds among other garage details, rounded out by tight bass notes and party-starting percussion. Despite the sleek, chrome exterior, Broken Haze continues to hit on absolute kinetic material, with the EP really getting hot with the studder-stepping “Prelude,” turning icy electronics into something immediate. In the wrong hands, such textural-focused music could feel like a cheap experiment, but Broken Haze makes sure something like “CR-X” overflows with warmth alongside the toolbox-born smacks. Listen above.

Aged Fine: Yüksen Buyers House’s “Slowdance”

The band Yüksen Buyers House has been around for quite some time, at least in the context of Tokyo-based bands. They’ve played shows alongside the likes of Jesse Ruins and Moscow Clubs…which is to say, they were kicking around five years ago. And for the most part, they were deeply alright, a fine enough opener for when everyone is still only two drinks deep. Yet longevity has proven to be the defining strength of many similar bands from that boom period — and now, with renewed interest in bands, those who simply lasted are starting to have breakthroughs. Yüksen Buyers House’s latest EP Out Of The Blue has gotten a strong push on streaming services, and most surprising of all, they sound significantly more better on it. “Slowdance” is a highlight, a skippy indie-pop number surrounded by enough gauze to give it a just-woke-up atmosphere, which makes the longing at its center all the more palpable. It feels more immediate than what they were doing in 2012 and 2013, and they are all the better for it. Listen above.

Summer Feel: Commune310 Presents Commune310 Suika Featuring Loopcoda, Dog Noise And More

Summer might be nearing a close, but Commune310 refuses to let it pass without a final rush of party-ready tunes. Commune310 Suika gathers tracks from a variety of producers, all leaning towards the up tempo and vaguely summery (which, I guess for me, means fast and/or sweaty). This ranges from the faded future-funk bounce of Mikazuki Bigwave to the packed-tight synthesizer gusts of HiRoSYO. Upbeat cuts fare the best —- personal highlights include Dog Noise’s spikey skip on “Silverhound” and what amounts to a nightcore take on this song that improves it so immensely as to make me question…a lot, via DJ JASRAC. The top cut, though, belongs to Loopcoda, whose “Kimi To Pool Disco” brims over with joy in its sliced-up vocal samples and slippery synth notes. Jam that one for as long as the warm weather lasts. Get it here, or listen below.