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Category Archives: Music

New i-fls: Wasted

General Overview [Boring, Factual]: i-fls is a producer working out of a suburban commuter community — a “bedtown” — somewhere outside of Tokyo. i-fls creates all of their music using primarily Garageband. Unlike everyone else doing that, i-fls’ music overflows with melancholy, bittersweetness and a nostalgia that isn’t limiting, but like actually trying to remember fragments of the past and failing. Song titles come from common, everyday items or experiences, with a few exceptions. Wasted is i-fls’ latest album, and you should get them all. Wasted is similar to all of i-fls’ other releases, but also it’s own world. It’s great, and if you like simple but affecting electronic numbers with an emotional edge, i-fls is for you.

Longer, Personal [Boring, Earnest]: I don’t think I’ve gone a write-up of an i-fls release without obsessing over the whole “piecing together good memories from the past” part of it…so let’s switch it up a bit. Wasted features so many weird little details, adding further character to track already feeling like they have fully developed personalities. See the warped squealing kicking off the otherwise shimmery bouncer “Private Waster,” the stray drum beats on “Mochizuki Meets Vanishing Point [Bad Mix],” or the various points where it sounds like someone is setting a cassette tape up. Besides being nice touches, they help snap me out of various trances because…Wasted is often so calming! At least compared to so much else out on the internet.

Get me thinking, and part of me reckons that by the end of the decade i-fls will be my personal favorite artist. Partially because few artists can get so much out of so little, but also get so much emotion out of it too. I listen to Wasted, and I just end up reflecting in ways other music rarely gets me to do.

Get it here, or listen below.

Apocalypse Juke: KΣITO’s Revelation

Plenty of Japanese juke music sounds dark — see a fair amount of what came out of the Ghost label, or the Atomic Bomb Compilation series. So producer Keito Suzuki — who records as KΣITO — fits right in with his two-song set Revelation. The title track rumbles to life, and features a skittery vocal almost right from the crack, but it doesn’t get going until a black-hole bass sneaks in, spreading out under everything and adding an ominous atmosphere to the number. One that only grows as the song adds more wonky elements. “Travel In High Dimension” isn’t quite as mind-warping, but still conjures up an uneasy vibe thanks to little details…say the sound of what sounds like someone banging on a window, or the horror-movie electronics. Get it here, or listen below.

New Toxxies: “Satellite”

Kyoto’s Toxxies get a touch slower on newest song “Satellite,” a drifting number highlighting the duo at a different tempo than usual. Similar to their hometown’s Emerald Four, “Satellite” floats along and isn’t afraid to let some space surround the song, with the verses featuring the slightest synth and beat, which allows the digi-dusted vocals to stand out in all their melancholy. Yet their own touch comes on the edges, as “Satellite” features all sorts of weird crinkles, from the ever-shifting synth notes to sudden electronic ripples. Listen above.

Alphabet Soup: AVV And RGL Team Up For 001

Two producers who are fond of letters — AVV (And Vice Versa) and RGL (Rigly Chang) — team up for a split single released via fledgling label 4×0.2ss. AVV’s “The Forrest And Friends” shuffles ahead, featuring a mix of ghostly vocal details and a sturdy beat that makes sure it doesn’t get too unsettling. As the number progresses, though, those same voices turn ecstatic, and the song takes on a revelatory vibe. “Hey Girl,” RGL’s contribution, is more in your face — the sample is the first thing you hear, and only the dusty analog warmth wrapped around it hides anything. Eventually, it breaks into a funky groove, gaining steam for its near-seven-minute run time. The single also finds each artist remixing the other — RGL twists “The Forrest And Friends” towards warped lo-fi house territory, while AVV turns “Hey Girl” a bit woozy. Get it here, or listen below.

Coastin’: Tenma Tenma’s “Nettaiya”

The temperature rarely stops producers from putting out warm, summer-ready music, but now that the season actually reflects the sound, something like Tenma Tenma’s “Nettaiya” connects way more powerfully than if it was the end of February. The Osaka artist has put out some solid stuff before — see this winter’s Kitahama, though maybe that one would have connected more now — but “Nettaiya” swelters, a chirpy melody breezing over strums and a light beat, with the vocals adding a sweetness to the tropical-tinged number. Listen above.