Controlled Karaoke: Ultraman Meets “Thriller,” Acid Trip Ensues
Just…wow. Good job Japan. You can stop the video at the 2:20 mark, the monsters stop dancing at that point.
(Via Japan Probe)
Just…wow. Good job Japan. You can stop the video at the 2:20 mark, the monsters stop dancing at that point.
(Via Japan Probe)
Just in time for Christmas 2018 comes one of the best gifts anyone could ask for. The ever-reclusive producer I-fls has descended down the digital chimney to deliver a set of holiday-appropriate numbers. Like most of I-fls’ music, these tracks consist of simple but aching melodies constructed from simple tools, often bursting open to reveal…
None of this computes whatsoever. Young Tokyo Band who released a good albeit far from overwhelming mini-album in 2010 returns the following year by covering a wretch-worthy J-Rock song from the 80s. They handle said slab of cheese pretty carefully, delivering a version of this two-decades-old tune that simultaneously hovers closely to the source material…
With just a glance, it seems like Herajika exists to be just another Tokyo band filling in the cracks in a slowly blooming scene. Mental flares went off when I stumbled across the band’s latest EP Test 02 on the Violet And Claire web shop, the digital incarnation of a physical joint associated with Merpeoples,…
Tokyo electro-banger Baroque has two new tracks running over on his MySpace. “Leyline” kicks off with a steady drum workout before busting out dentist-drill squeals. It all comes together to form a solid piece of piston-strong dance. B-side wins the day though: “It Doesn’t Come Off” takes some funky guitar and pulverizes it with noise….
Trekkie Trax had a pretty big 2016, the high-charged netlabel gaining more and more visibility across the board with their take on contemporary electronic styles. Now, it seems like more established names are taking notice. In the same way that Maltine Records — the community-building online entity that came up the generation prior) — and…
Rock plus jazz equals…what exactly? Sometimes you get great-tastes-together goodness like Sweep The Leg Johnny, other times you get Dave Matthews. Osaka’s The Canvas promote themselves as a retro-leaning unit, jazz meets rock meets “garage,” but the final product sounds solely like the first. And thank goodness for that. Despite some electric guitar lending an…