Holy Holy: Berserker Children Club’s Someday EP

Shoegaze has turned into one of those genres of music that I always treat harshly. Part of this might be how in love with dreamy, guitar-centric music I was when I was younger, how it filled me with ~feelings~ of vague hope and sadness. Whether I’ve just hardened or time or been able to not fall for everything blissed out, I’m not sure, but it takes a very special sort of shoegaze to get me excited anymore…especially in a country like Japan, where people love this stuff. At first glance, Berserker Children Club is just a band with a great name and a so-so song. The first track on their Someday EP is called “I Don’t Know,” and it isn’t bad by a long shot. The guitars are assertive, and enough interesting stuff happens on the edge to keep your attention. The vocals bring to mind Hotel Mexico, an all-together-now delivery that blurs everything together into a sexless void of sound. Still, it sounds like a lot of other shoegaze songs. It’s alright.

Then the title track comes on…and I’m caught off guard how great it is. “Someday” is nearly seven minutes of slow build, of hard-hitting drums and those same all-together now singing. Yet BCC give the song more room to breath, to let the group sing together. The music sounds fragile, a synth blurbles and a guitar plays a few notes. That singing becomes almost like a prayer, something powerful. Then the guitars pick up, distortion entering the song, which only makes it even stronger. Then the voices fade after one more incantation, and the music just plays on and on. It’s oddly…holy. It ends with the voices one more time. This is the shoegaze that hits me now. Listen below, or get it here.

Similar Posts

  • New i-fls: Genealogy Of Regret/Falsify Tracks And Distress For Gift/Outtake And Other

    You’d think after releasing ten albums/EPs in 2013, bedroom producer i-fls would take a break heading into 2014. Nope…he’s compiled two new albums to close out the year, both acting as sort of milestones for getting this far in his artistic life. Genealogy Of Regret/Falsify Tracks finds i-fls sharing reconfigured versions of songs he’s already…

  • New HNC: “I Will Make You Sad”

    HNCは長く奇妙な道のりを辿ってきています。彼女のHazel Nuts Chocolateとしての活動は2000年に始まり、Plus-Tech Squeeze Boxや、中田ヤスタカのプロジェクト、Capsuleの作品にも参加してきました。ダンスビート重視というよりは渋谷系みたいな。彼女の初期の作品やコラボレーションは、可愛らしくアップテッンポでエネルギーに満ちていて、2009までの作品にはそのような空気感を特に聴く事ができます。”Cult”では今までのキュートさはそのままに、ドラムンベースからの影響も。その後彼女はしばらく活動をストップし、(Love And Hatesへの参加以外)一年程経って”I Dream I Dead“をリリースしました。楽しくポップなHazel Nuts Chocolateは姿を消し、パラノイアや不安を表現しているような作品です。キャンディーや猫について歌っていた長い年月が一晩の悪夢によって吸い込まれたかのような印象。この曲は音楽的にとても深く、今までの彼女の最高傑作と言えるでしょう。 新曲 “I Will Make You Sad”も過去のHNCから再び一歩離れているのですが、オープニングに重いドラムや寂しげなピアノが使われていて、”I Dream I Dead”よりも更に希薄な印象です。その後増えるシンセも曲を独占するわけでなく、全体の脆く儚いイメージを崩しません。曲に入ってきた直後の彼女の曲はミックスの奥深くにあり、前へは出てこないものの、”drinking your tears”というような言葉は聴こえてきます。コーラスでは曲のタイトルを繰り返してるのがはっきり聴こえますよ。HNCのキャリアは長い間その瞬間の感情の表現、”猫の可愛らしさ”であったりしたわけですが、”I Will Make You Sad”が意味しているように、今の彼女はより複雑な感情を表現を可能にしています。HNCのアーティストとしての大きな前進を是非堪能して下さい。試聴は以下から。

  • Welcome To Make Believe Melodies’ Year-End Coverage!

    Starting today, Make Believe Melodies will join pretty much every other music website and blog in wrapping up 2012. It has been a fantastic year for Japanese music – the past 12 months have seen a boom in quality indie-pop music, continued experimentation within the world of electronic music and a bunch of quality J-Pop…

  • Beat It: Canooooopy’s Polymorphism Vs. Valleystayers

    “Goodbye to the hackneyed ‘beats’!!!!!” So goes the last sentence of Canooooopy’s description of his newest album, Polymorphism Vs. Valleystayers. Confrontational statements are not a common sight in the Japanese music scene…at least not ones broadcast publicly…yet here we have a producer who has been gaining steam online over the past few months throwing at…