Marble Sheep “The Sun Of Alaska”

In one of those cruel-not-really-cruel moments a music fan faces more than they’d like, I discovered LSD March were playing in Osaka last night only, oh, four hours before the show. Though I flirted with the idea of throwing all my responsibilities to the side for the night, I chose to be responsible and miss the show. This decision also meant I’d miss the band LSD March would be opening for, Marble Sheep. I’d never heard of them before, but they’ve been together since the late 80s and seem to still be going strong. They recently posted three new songs onto MySpace worth checking out.

“(I Know) Who Made You A Monster” and “DNA Cowboy” sound plenty good, but the obvious highlight of this new trio is the nine-minute burner “The Sun Of Alaska.” The majority of its huge run time is spent building upwards, the whoozy guitars spinning around as the vocals try to stand out in the middle of it all. “Alaska” never really explodes as much as it swells, the guitars seemingly wanting to burst through and truly overtake the song but never being able to. Instead, they spin around more and more wildly growing nearly unstable as the song draws to a close. No burst…just containment.

Similar Posts

  • New Ryuuta Takaki: Twist

    Everything feels just off on Ryuuta Takaki’s new album, Twist. Vocal samples smear together, creating mismatched moments that often get pitched into unnatural territory on top of that. Takaki matches these disorienting stretches with music that’s equally unpredictable — beats sound like they are fading away (the title track) or hiding something sinister (“Your Ocean”)….

  • This One’s For Diplo: Reggae For Airports: Central And Reggae For Airports: Pacific

    Future played her, like, 700 songs. It was four in the morning. Finally, I was like, Yo, G, I’m leaving unless you let me play her a song. So I played her a song. And she was like, This sounds like a reggae song at an airport. I was like, I’m gonna go kill myself….

  • New Feather Shuttles Forever Featuring Tenma Tenma, Kyooo, Hikaru Yamada, Yo Irie, SNJO And Mari Nishiumi: “Teian”

    Anyone can strike a cool pose, but it’s a lot tougher to let loose and embrace joy. The Feather Shuttles Forever project has used a lot of the same sonic palette as other bands of various stature in the Japanese rock scene — horns, lots of horns — but whereas many of them go for…

  • JAM The MOD: “Since Tomorrow”

    インディ・ポップ・レーベルAno(t)raksが2月に新しいコンピレーション・アルバムをリリースします。既にいくつかの参加アーティストが発表されていて、このコンピが本当に素晴らしい物になると期待させてくれます。Post Modern Team、BoyishやThe Paellas等、お馴染みのアーティスト達に加え、JAM The MODという福岡のバンド等、新しい名前もいくつか。跳ねるギターやため息をつきたくなる歌詞からなる典型的な日本のインディ・ポップを想像していませんか?…とは言うものの、恥ずかしながら私も同じでした。そんな雰囲気を仮定しながら再生ボタンをクリックしたのはここだけの話。 今の所このグループはSoundCloudで”Since Tomorrow”だけしかリリースしていないのですが、これが凄く個性的。フォーキーなインディ・ポップが2007年あたりのダブステップ・リズムに乗っかってる独特なスタイルなんです。なんと言ってもこのビート感が他のTweeなアーティスト達との違いで、暖かく優しいメロディーが特徴的な曲に冷たい緊迫感を与えています。ただ単にジャンルをくっ付けるのは誰にだってできる事。でもJAM The MODは上手く異なる要素を組み合わせる事に成功していて、だからこそ注目すべきなのです。日本のインディ・ポップ・アーティスト達にとっても良いヒントになるのでは?JAM The MODのこれからが気になります…はたしてコンピにはどんな曲を提供するのか…いずれにせよ、これからもどんどん新しい事にチャレンジして欲しいです。試聴は以下から。

  • New Batsu: Half Self

    Osaka’s Batsu gets reflective on Half Self. The electronic artist’s latest offers up a fragile set of tracks that often tease going over the edge, but always hold everything back, aiming for something more melancholy than moshing. Not to downplay how springy Batsu’s creations can get — check the zero-gravity “Confess,” seemingly using melodies from…