Mr. Saturn: Shintaro Katagiri

Despite raking up an impressive amount of references in Super Smash Brothers, Nintendo’s EarthBound rarely gets blessed with the legendary status a video game of its status deserves. If my mind recalls correctly, Nintendo Power ranked EarthBound somewhere in the 50s or 60s of its “Greatest Nintendo Games Of All-Time List,” well behind a slew of Final Fantasy titles, Chrono Trigger and freakin’ Super Mario RPG. As a 12-year-old I was outraged, because no game to bless the Super Nintendo console contained half the genius or charm of EarthBound. A role-playing game set in…the present! Having only seen similar games set in some Narnia bullshit realm, this blew my Surge-addled mind. Not to mention…this might be the funniest SNES game ever. Trout yogurt! New Age Retro Hippies! Music references out the wazoo (the yellow submarine sequence being the most obvious). EarthBound was the peak of my video game life, my interest in it declining every year after (finally flatlinging when my then-roommate beat me at Wii boxing and I realized I’d never be good at it). I hold this video game way-too-close to my heart.

So does electronic music maker Shintaro Katagiri who might be the first musical artist I’ve ever encountered who draws most of his inspiration from Ness and the gang. He does so obviously, as he has one song simply titled “EarthBound (Shintaro Remix)” which manages to take the trance-inducing in-game battle music and turn it into a terrifying hypno-dance jam. Yet Katagiri’s music rises way above nostalgia-evoking electro-trash this could have been – he makes music that would fit in perfectly in EarthBound and outside of it. “Reproduction” whizzes around like the lost soundtrack to Dr. Andonuts lab, while still kicking hard enough to not be just background noise. The razor-sharp guitars of “WVVWVWVVVWV” would make for some perfect boss music. And then there is the Moonside-pogo of “Nutcracker” – blips, bloops and ascending fluttery sounds pop up like moles to create a very calming electro-haze. An electro-haze borrowing sounds or source materials from √thumm.

If the words “PK Fire” don’t turn you on though, Katagiri also boasts at least one tune a little less EarthBoundy. “Quantum” sounds like Shintaro decided to throw Perfume into a wood-chipper alongside a Mario 1-Up mushroom. The results – manic but boppable dance music ramming the most pleasurable aspects of J-Pop up against 8-Bit bliss. Don’t be dissuaded by the Starman gracing his profile pic…Shintaro Katagiri makes music for an audience greater than EarthBound geeks. It’s just that geeks like me nerd out a bit harder to it.

Listen here.

Similar Posts

  • Å(Angstrom): “Stray Tact” And Album Teaser

    Frustratingly named outfit Å (though various other places also peg them as Angstrom) released their self-titled debut album last week, and you can listen to some samples of every song on the album via a teaser below. Watching this preview clip having not heard anything from this group before most likely leaves one (well, at…

  • New OKLobby: Resort

    去年の末にOKLobbyが東京のベッドルーム・ミュージック・シーンに登場したとき、この若きアーティストが何をやっているのか、不思議に思っていました。でもプロジェクトの名前やデビューEPのタイトルResortworksからは、他のベッドルームアーティストと同じくVaporwaveの影響を受けて入れているんじゃないかというヒントが感じ取れます。取り入れた明確な影響は除き、音楽性からは隠れた皮肉などは感じられないのですが、むしろ同じ東京のアーティストTaquwamiに近い世界観です。でもOKLobbyが今年に入ってからリリースしたResortは、Resortworksで試んだ斬新なアイディアがより明確に伝わる作品に。Taquwamiと関西のSeihoからの影響がこの11曲のなかで多く見え隠れするのですが…OKLobbyは単純にインスパイアされただけのアーティストではありません。オープナーの“Brainwash”に使われているスローにされたボーカルサンプルは、限りなくフットワークに近い特有なビートに完璧にマッチしていて、それにシンセが上手く絡まっています。Resortworksに収録されていた3曲を除いては全てがとてもカラフルです。そんな中でもハイライトは”Animation”。アップテンポなトラックには他のアーティストもよくやるようにボーカルサンプルが散りばめられているのですが、そのポップさが魅力的。子供番組の音楽みたいになりがちですが、この”Animation”からは深みを感じる事が出来るので是非聴いてみて下さい。アルバムのダウンロードはこちらから。

  • Aisle Sheen: Tozo’s Smoked Tongue And “Jihanki Corner”

    Tozo’s music hovers somewhere in the same orbit as Boogie Idol and Pasocom Music Club’s output, shiny synth numbers riffing on the sounds of the past, but the more forgotten ones. Smoked Tongue came out last month, and puts the focus on Tozo’s composition skills, opening with the synth-wash boogie of the title track before…