New Cloudy Busey: “Who Says They Love You”

[youtube=”http://www.youtube.com/watch?v=JWABN4f66rw”]

Cloudy Busey – also known as Bob, the lead singer of Osaka’s Ice Cream Shout – used to lean heavily indie pop. Although the Busey moniker served as a way for him to record songs sans group, tracks like “Pound Your Town To Hell” and “Broken By Inertia” weren’t radically different from the material coming from Ice Cream Shout, the latter song often played by the band live over the past year. Yet 2012 has saw Cloudy Busey develop a separate identity, as the project has veered into unabashed electronic dance territory. He’s already released the moody “Up To You (If You Love Me)” and a handful of other club-leaning numbers, and now he’s uploaded the song “Who Says They Love You,” a joint that further cements Busey’s sonic switch to dance. It even comes complete with a description going “acid, latin break, Stardust,” the last one most likely referring to these dudes.

Scroll down, though, and note some of the tags for “Who Says They Love You” – “pop” and especially “twee” jump out, yeah? Thing is, it makes sense because, while the actual music leans towards dance, the lyrics touch on indie-pop themes that never fade. “With no one to need you/You’re no one to anyone/With no one to love you/it doesn’t make sense to feel alive,” goes one part, and that’s before hitting the emotional sweet spot of “what I would give to have/a dream without you.” Just as impressive is Bob’s vocals, which continue growing in confidence with each new song, here sounding clearer than on other tracks he’s made…and that being a great development. Ultimately, the only tag “Who Says They Love You” needs is “catchy stuff.” Watch the video above, or download the song here.

Similar Posts

  • New CRZKNY: Groove 2

    For the most part, Hiroshima’s CRZKNY has operated in a quick-hit, often aggressive style when it comes to juke. He either loads up on split-second samples or creates a thick sense of unease, one that lends itself well to his political leanings. Groove 2, a two-track release from Poland’s Outlines imprint that follows up compatriot…

  • Party Down: The Mirraz “Let’s Go”

    [youtube=”http://www.youtube.com/watch?v=DYyoaGzNxzU”] “Let’s Go” is one of those songs that’s just dumb to think about. I mean, you could try breaking this down (lord knows I spend enough time psychoanalyzing J-Pop that I’d try) and maybe come away with something. But the latest from The Mirraz is not intended to be a thinker – the girl-tastic…

  • Pleasant Surprises: Lil’ Yukichi’s Ghetto Pop Idol

    私はちょっとした理由からJ-Popのリミックスにはあまり興味を持てません。というのも、本来のJ-Popのままで十分なのでリミックスは必要ないからです。あと、J-Popがジャンルとして劣っていると示唆していたり、それを直接的に伝えていたりするから、というのもありますね。中にはチョップド&スクリュードやテクノ・リミックスやらなんやらをしないと楽しめない音楽だと思ってる人もいるのでは? でも最近Ghetto Pop Idol を聴いた時は驚きました。この5曲入りの作品ではLil’諭吉というアーティストが、有名なJ-Popの曲をヒップホップ・ビートで奏でています。嬉しい事に、私の好きなきゃりーぱみゅぱみゅとPerfumeが使われています。これにはついつい惹かれてしまいました。ただ、それだけじゃないんですよ!きゃりーのキラキラしたトラック”ぎりぎりセーフ”も、Lil’諭吉が切り刻んで手を加えれば幻想的なビートに一新。他のプロデューサー達が単にテンポを遅くして満足しているのとは訳が違い、原曲の良さを残したまま新しいものを作り上げています。彼がリミックスした“Plastic Smile”も個性的。Perfumeのボーカルを1秒程の長さにカットして、それを上に重ねたり、連続させたり。更なる目玉はAira Mitsukiの”ニーハイガール”のリミックスなのですが、オリジナルに使われている多すぎる電子音を強調してみたり、逆にメローにしてみたりして、曲の中に強弱を付け、上手く展開させています。これがJ-Popの本当のリミックスの仕方です。試聴はこちらから。

  • Ano(t)raks Release New Compilation Featuring Post Modern Team, The Paellas, Foodie And Many More

    Relatively new indie label Ano(t)racks don’t have many releases – they released Osaka group The Paella’s last EP, and dropped an indie-pop compilation titled Soon V.A. last week. Yet the latter upload is one of the best starting points for those looking to get into the current crop of indie-pop bands that have sprung up…