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The Bedroom Hour: Kasumi Hasegawa’s “These Are The Days I Forgot To Write Down”
It has been an amazing year for bedroom musicians in Tokyo, and as the year winds down, here is one more song to add to the ceiling-bursting pile. First up is a tune from Kasumi Hasegawa called “These Are The Days I Forgot To Write Down,” and the title should clue you into what to…
Anime Feelings: Ujaku
The opening minute of producer Ujaku’s “Tonakai” sounds like a lost snippet of some Studio Ghibli film soundtrack. It’s nothing but some plaintive piano strokes with a few additional affects added in. It’s the emotional core of the song, which bursts open into a rollicking dance number soon after the minute mark, Ujaku dropping in…
New Post Modern Team: Nite Life Lounge EP
Kansai outfit Post Modern Team’s first song made available to the world’s ears was a little ditty called “Never Let You Down.” It was one of 2012’s finest tracks, a breezy song featuring one of the sweetest hooks to come out of Japan’s indie-pop scene – “never let you down,” they sang, like whispering into…
New HNC: “I Will Make You Sad”
HNCは長く奇妙な道のりを辿ってきています。彼女のHazel Nuts Chocolateとしての活動は2000年に始まり、Plus-Tech Squeeze Boxや、中田ヤスタカのプロジェクト、Capsuleの作品にも参加してきました。ダンスビート重視というよりは渋谷系みたいな。彼女の初期の作品やコラボレーションは、可愛らしくアップテッンポでエネルギーに満ちていて、2009までの作品にはそのような空気感を特に聴く事ができます。”Cult”では今までのキュートさはそのままに、ドラムンベースからの影響も。その後彼女はしばらく活動をストップし、(Love And Hatesへの参加以外)一年程経って”I Dream I Dead“をリリースしました。楽しくポップなHazel Nuts Chocolateは姿を消し、パラノイアや不安を表現しているような作品です。キャンディーや猫について歌っていた長い年月が一晩の悪夢によって吸い込まれたかのような印象。この曲は音楽的にとても深く、今までの彼女の最高傑作と言えるでしょう。 新曲 “I Will Make You Sad”も過去のHNCから再び一歩離れているのですが、オープニングに重いドラムや寂しげなピアノが使われていて、”I Dream I Dead”よりも更に希薄な印象です。その後増えるシンセも曲を独占するわけでなく、全体の脆く儚いイメージを崩しません。曲に入ってきた直後の彼女の曲はミックスの奥深くにあり、前へは出てこないものの、”drinking your tears”というような言葉は聴こえてきます。コーラスでは曲のタイトルを繰り返してるのがはっきり聴こえますよ。HNCのキャリアは長い間その瞬間の感情の表現、”猫の可愛らしさ”であったりしたわけですが、”I Will Make You Sad”が意味しているように、今の彼女はより複雑な感情を表現を可能にしています。HNCのアーティストとしての大きな前進を是非堪能して下さい。試聴は以下から。
Upbeat!: Seagull Travel’s “Kill Me My Girl”
Sometimes, when dealing with song titles written in Japanese, I sorta ignore what the track is actually called and just give it a play while working on other things (read: updating Tumblr, looking at sports .GIFs). Seagull Travel’s, the project of Kanagawa’s Ryuichi Nakamura, sounded like a lovely bit of upbeat electro-pop when I first…
New Pops: Shiggy Jr.’s “Saturday Night To Sunday Morning”
The back half of 2013 has proven to be a fruitful time to be a fan of J-Pop willing to try out new sounds. DempaGumi.inc has made a theatrical leap forward, while outfits like Especia and Lyrical School have been gifted absolutely killer songs courtesy of gifted young producers given the keys to the idol-pop…
New Elen Never Sleeps: “Slow (Neu)”
“Slow” originally appeared on Moscow Club’s C86 compilation back in the spring, but has now been touched up a bit (hence the “Neu” in the title) and sounds a lot crisper than Elen Never Sleeps’ original version. Well, it sounds as crisp as something so hazy can sound – the song title is almost an understatement, because “Slow” practically crawls, the guitars and drums sounding glacial. It’s all intentional, though, a decision meant to match up with Elen Never Sleeps repeated cries of “but you slow down/slow down/slow down,” delivered in a dejected-but-pretty voice that this project has gotten so good at utilizing. The original version was good, but this slightly fleshed-out version shows what can happen when an artist spends time perfecting their creations. Listen below.
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Yunomi’s “Sakura Saku”
Genres are a tricky thing. People want you to reject them until they don’t — a lot of folks act like the concept of a genre is limiting until they need to fence others off from it. Yunomi’s “Sakura Saku” is a rare number where styles actually do get sucked up into a vortex, the…
Westside Bounce: AFAMoo’s “New York, New York” And “Surf”
Kobe-based producer AFAMoo has been sharing house tracks that sound like a layer dust sits on top of them for a year now (lo-fi house, if that works better for you), and a handful of them are quite nice. But his latest two releases feel like particular breakthroughs, partially because they find a groove all…
Calm Time: Parmot’s If U R Near / Throbe
I’ve said it before, and I’ll say it again: elevating simple beat music to something that can stand on its own isn’t easy, but doable. Producer Parmot manages it with this two-song release, a slightly fuzzy offering in the same avenue as the dizzying sample-twisters that ΔKTR specializes in. “If U R Near” takes squiggly…
Watch Puffyshoes Perform Live At South By Southwest
[youtube=”http://www.youtube.com/watch?v=UMAhkUzQyxs”] The South By Southwest music festivities are coming to a close today, which means no more #sxsw tags and having to hear a lot less about Austin until the Longhorns start up college football. Puffyshoes made the long flight to Texas to play various sets to the masses, and a portion of one show…
New Boys Age: “Dēmiourgos”
I’ve been waiting for the actual album to drop, but Boys Age’s “Dēmiourgos” is so pretty and fragile that, hey, might as well wait a little bit until New World Pregnancy emerges. It has been a while since checking in on the group, and true to their spirit, Boys Age remain adept at introducing strange,…
New Shiggy Jr.: “Listen To The Music”
Let’s first face a tough reality – the idea of there being a “song of the summer” in 2014 Japan that isn’t “Happy,” “Let It Go” or the they-are-trying-to-make-it-happen-so-bad “Problem” is insane. Two of those are being pushed by the powers-that-be, while the other is a Disney song from the most successful Disney movie in…
