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New Night Vision: “I Decide” And “Miami People”
東京のNight Vision が2曲のダンスフロアチューンをリリース。I Decide は切り刻んだボーカルサンプルの上をグルーヴ感あふれるホーン、キーボード、ベースサウンドなどが流れるスムーズなディスコサウンド。Miami people もI Decide と同じ流れのディスコサウンドですが、こちらは70年代ディスコの雰囲気の強い楽曲になっています。この夏らしいサウンドの詰まった楽曲は以下から。
Only One: May.e’s Mattiola
I’m usually not drawn to the acoustic guitar. Too often, it’s the tool of choice for snobs and hucksters, the preferred instrument of people doing acoustic covers of rap songs (ya know, because it’s not real music in its original form) and dorm-room Lotharios. I’ve heard countless covers of “Wonderwall,” and every time I want…
New CRUNCH: Futoshita Nichijyo No Koto
Note: We are, technically, still on vacation, but noteworthy happenings will earn small updates. Like this! The 2014 album race is already underway (Metome already sprinting out), and in January Nagoya’s CRUNCH will enter the race with Futoshita Nichijyo No Koto. Now, though, they’ve decided to share the whole album on BandCamp, and you can…
What About It? Canata Records Release New Compilation What About Tokyo?
“This album is the 2nd of a series of compilation albums introducing young Japanese artists, this time with a focus on noise pop. However, this focus does not mean confinement to a single style.” Canata Records isn’t kidding. The What About Tokyo? comp finds five bands with five very different styles…some more noisy than others…and…
In A Place In The Country: Nigori’s “There Is Always A Sad Thing….”
I spent two years living in Mie Prefecture, a stretch of land nestled between Osaka and Nagoya that was part mountainous and part coastal. Caught in the middle of those topographies, sits Matsusaka. It is as suburban-rural as it gets in a place where both those terms are flexed to the maximum – it’s a…
New Seiho: “Change Before You Have To”
Seiho just put out a (fantastic) full-length album…but here he is, already releasing new material into the wilds of the Internet. Dude is prolific. Anyway, ignore me and just dive right into “Chang Before You Have To,” which you can download for free by clicking the photo above. Otherwise, listen to the minimal, pitch-shifted wonder…
New Elen Never Sleeps: “Slow (Neu)”
“Slow” originally appeared on Moscow Club’s C86 compilation back in the spring, but has now been touched up a bit (hence the “Neu” in the title) and sounds a lot crisper than Elen Never Sleeps’ original version. Well, it sounds as crisp as something so hazy can sound – the song title is almost an understatement, because “Slow” practically crawls, the guitars and drums sounding glacial. It’s all intentional, though, a decision meant to match up with Elen Never Sleeps repeated cries of “but you slow down/slow down/slow down,” delivered in a dejected-but-pretty voice that this project has gotten so good at utilizing. The original version was good, but this slightly fleshed-out version shows what can happen when an artist spends time perfecting their creations. Listen below.
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New Mei Ehara: “Saisho No Hi Wa”
The music surrounding Mei Ehara has leaned towards more locked-in grooves since she adapted that name, moving away from the solo project May.e to something with a bit more band support. “Saisho No Hi Wa” features one of the more skeletal arrangements she’s used so far as Mei Ehara, anchored by a particularly sticky guitar…
New Boys Age: “Forlorn Beach”
This is both the liveliest sounding Boys Age song and the most downtrodden. The bedroom rock project has gotten jangly at times in the past, but “Forlorn Beach” deploys a jaunty drum beat that practically skips ahead, adding an energy rarely found in the group’s music. And it works well in conjunction with the guitar…
Ano(t)raks Release New Compilation Upwards And Onwards, Featuring Post Modern Team, Canopies And Drapes, JAM The MOD And So Many More
日本が誇る優れたインディー・ポップを送り出すネット・レーベルAno(t)raksからヒネリの効いた新しいコンピレーション・アルバムがリリースされました。去年リリースされたSoonを追ってリリースされたこのUpwards And Onwards EPでは、このレーベル特有のTweeなイメージに留まらず、幅広い音楽性を堪能する事ができます。東京のCanopies And Drapesからは銀河鉄道の夜からインスパイアされた “G&C – Giovanni And Campanella” 、そしてそれを追うのはエレクトロ・ファンクが特徴的なKai Takahashの“1980”。Soft As Snow But Warm Insideによる“When The Nightmare Ends”は、空間が上手く使われていて、ゆったりとしていて浮遊感のある音世界を演出しています。一番の驚きは福岡のJAM The MODによる8分にも及ぶ傑作“2nd Rainbows”。アルバム内でも特に優れたトラックと言えるでしょう。ドラマチックなイントロ、輝かしいメロディー、そして時折姿を現すノイジーなギターからなる美しい曲の展開は圧巻です。JAM The MOD…今年最も注目すべきバンドの1つでしょう。 でもやっぱりAno(t)raksのコンピなので、新しい挑戦はありつつもインディ・ポップという本質は決して失われてません。Boyish、The Paellas、FoodieやPost Modern Team(“Someday”はこの中でも特に完成度が高く、“Never Let You Down”や“Heartbreak”にも引けを取りません)等、ここ数年日本のインディー・シーンに注目していた人にはおなじみのバンドも。The Shipの“Her Secret”やThe Vanitiesの“Gabriel’s Blue Hat”は彼らの今までの作品と比べても特に優れています。新しいバンドもおなじみのバンドも上手く混ざり合った、今の音楽を象徴するこのコンピ。全ての瞬間が素晴らしいです。ダウンロードはこちらから。
New Shintaro Katagiri: “Airplane”
Alright, go ahead and don’t dwell on the image above. Shintaro Katagiri seems to be a big fan of EarthBound, but new track “Airplane” sounds nothing like video game background music. Katagiri saves his game file to go out on a Saturday night (errrr, metaphorically) – “Airplane” is guided by neon streaks of keyboard that…
Check The Boxes: Seasunsalt’s Ect
Seasunsalt is a project hitting on all of Make Believe Melodies’ favorite elements, to a point where a more paranoid version of myself would think some algorithm generated Ect to make me roll out all the words I already use too much. This is fidgety, at-times uneasy dance-pop featuring bright synth notes and off-kilter beats…
Watch (A Better Quality!) Video Of Sakanaction’s “Boku To Hana”
Much finer quality than when we first got a glimpse of this. Watch above, and have a nice weekend.
